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Maria Manuela Bronze da Rocha

Portugal °1955

research interests: Textiles, materiality, memory, costume design, theatre design

affiliation: ESMAE-IPP; i2ADS

_{1986-1988, Master of Fine Arts in Costume Design, Boston University School for Theatre Arts, USA;}

_{2009-2011, Phd Contemporary Artistic Practice, Faculty of Fine Arts of Pontevedra, Vigo University, Spain, .}

_ACTIVITY:

_{Teacher in the Theatre Department of ESMAE (School of Music and Performing Arts / Polytechnic Institute of Porto / Former Head of Costume Design Department.}

_{Develops practical and artistic research with participation in workshops and seminars.}

Visual artistic practice regularly presented in individual exhibitions and group exhibitions.

_{Her activity in the theater is very continuous, namely as a costume designer and also as a scenographer.}

research

research expositions (collaborated)

Editorial: Inaugural issue of an emergent journal on arts, design, and performing arts (2024) author(s): Filipa Cruz, Fabrício Fava, Maria Manuela Bronze da Rocha, Orlando Vieira Francisco, Pedro Amado published in: HUB - Journal of Research in Art, Design and Society
Welcome to the inaugural issue of the HUB, the Journal of Research in Art, Design, and Society. HUB has been created to bridge a gap within the current cross-disciplinary space of the arts and design research by providing a platform for the exchange of ideas to foster new forms of inquiry and documentation of artistic research. As a result, HUB intends to provide an opportunity for discussion concerning the eclecticism of creative processes and methodologies and the educational impact of artistic research. At the same time, it seeks to stimulate the debate surrounding the social, cultural, and technological frames of art and design practices.
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Editorial (2023) author(s): Orlando Vieira Francisco, Fabrício Fava, Filipa Cruz, Maria Manuela Bronze da Rocha, Pedro Amado published in: HUB - Journal of Research in Art, Design and Society
For this edition, we shared questions with the authors based on the strategies and ways of visualizing distance in artistic practice. We asked, after all, how we can understand the aesthetics of DISTANCE, including new narrative and visual devices, to reveal something inevitable or ineffable.
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