To examine artistic choices made by filmmakers, regarding textual space, namely the utilizing of the actor´s thinking process and reaction, I am looking at three scenes by directors Stephen Frears, David Lynch and Marguerite Duras.
Looking at written text and how dialogue can be used as a tool in creating reflective thinking, lifting the narrative up to a level of poetry.
Investigating ethical experience through film.
Kinship between reading Face and Landscape is strongly connected to the contradiction and ambiguity within the unknowability of character. Our curiosity to read story is another need to know the other-ourselves-other-ourselves...
As in we do not know there is a difference. We have always read the other´s face to know what is. As in before the mirror.
A COLLAB work about the current position of mankind where we are at in the NOW - a comment on that and an exploration of the automatization and the relationship between the human essence and the artificial.
Skin is the membrane that divides inside from outside, what is important and not, what is alive and not. Skin represents the human and at the same time the contrahent to the artificial.
We live in a time where everyone is trying to tell us which world will be the best for us to live in. We want you to tell you.
A fable of identity, fragmented and destroyed beyond repair
Exploring directing the gap I have chosen to set my story inside the genre of Scandinavian Gothic. Here the essence of melancholy is the room for transition and change - an aporiá.
The gap explored are within the character, in-between dream and reality, investigating nature as an inner and outer room.
I very much appreciated your work. Tactile and strong in its straightforward honest attempt to add to Hammershøy and his contemplative work. Thank you/ S
I very much appreciated your work. Tactile and strong in its straightforward honest attempt to add to Hammershøy and his contemplative work. Thank you/ S