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Filipa Frois Almeida

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Portugal

research interests: Time perception, memory images, post-photography, photo-installation

affiliation: Faculty of Fine Arts University of Porto

Filipa Frois Almeida (Halle, Germany, 1981) is a visual artist and researcher who lives and works in Porto.

Dedicated to the study of the perception of time and the figurative representation of memory, analysing processes of deceleration observed in photo-installations, as a way of responding to the growing concern that has arisen in a society marked by constant acceleration.
Open to experimentation, her work process crosses different media and materialities, embracing aspects such as vulnerability, chance and error.
Currently, she is a PhD candidate in Fine Arts at the Faculty of Fine Arts of the University of Porto, with the theme “A time laboratory for the photographic representation of memory images: contributions to post-photography”

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research expositions (collaborated)

Artistic Research and Collective Intelligence Workshop - FBAUP (last edited: 2025) author(s): Maria Catarina Silva, Kobi Admin, Camila Mangueira Soares, Catarina Casais, Filipa Frois Almeida, Daniele Pozzi, Pedro Cunha, Rebecca Leal Moradalizadeh, Sofia Santos, Antonio Regis Carmo Silva, Tatiana Moes Spinelli This exposition is in progress and its share status is: visible to all.
Exposition supporting the Artistic Research and Collective Intelligence workshop, 4-5 October 2025, Porto Academy of Fine Arts. Theme: In recent years, latent space has become a recurring notion in the field of AI and generative art, but the term has a much broader origin and resonance, finding relevance in various fields of knowledge such as psychology, biology and computer science. Translated into the field of artistic research, latent space can refer to indefinable and potential configurations, to a fluid and interstitial zone in which knowledge and imagination take shape through non-linear processes and intuitions. The workshop will offer a space for discussion and experimentation, welcoming proposals and reflections on the processes of artistic research, to investigate unforeseen configurations, lateral paths, and methodological deviations. The activity is promoted by the Academy of Fine Arts in Rome as part of the Enacting Artistic Research project.
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