Niels Lyhne Løkkegaard
potentiality, utopia, transformation, saturation, sedimentation, softenings
Denmark °1979
affiliation: RMC
en
Niels Lyhne Løkkegaard (1979) works within an interdisciplinary artistic praxis, spanning from composition and sound art to performance, conceptual and visual art.
He considers his work to be a basic research in realities andis interested in how bubble-like systems unfold themselves as human conditions.
The meetings between individual bodies and different bubble-like systems are key drivers in Løkkegaards praxis and he's interested in how to escape these bubbles, and if not escape them, then how they can be warped, wrestled and renegotiated.
He considers his work to be a basic research in realities and is interested in how bubble-like systems unfold themselves as human conditions.
The meetings between individual bodies and different bubble-like systems are key drivers in Løkkegaards praxis and he's interested in how to escape these bubbles, and if not escape them, then how they can be warped, wrestled and renegotiated (often by (over)saturation)
Løkkegaard is particularly interested in the notion of instrumentalization and what (Western) instruments can mean and what they can control and do. Hence he often works with music instruments not only as sources of sound but also as cultural markers embedded within different systems and hierarchies. This being a driver in Løkkegaards work has led into compositions of music that can be performed by people with or without any previous musical knowledge or training - all revolving around the focus on how to soften positions, and how to create a safe environment for performing music, and dissolve shame or trauma.
