In this exposition I reflect on an artistic research project I conducted from fall 2020 through spring 2021, as a student of scenography in Aalto University.
The base for the artistic research project was the idea of corporality, touch, flesh, materiality and aesthetics as something excessive and peripheral in the context of the Aalto University campus. I explored bodily excesses by working with sculptural objects formed by bodycasting, a method that produces a surplus of bodyparts. I was also interested in the process of working with my hands, and working through touching and being with the sculptural objects and materials.
As the process evolved the questions came to circulate around the issues of knowledge and the unknown. What kind of knowledge can working with these objects and materials lead me toward? Can that knowledge be articulated into language? How to work with things that language doesn't reach?
The research project was executed aside the peripheries in parallax: BRAVE NEW PERIPHERIES -conference organised by the four-year “Floating Peripheries – mediating the sense of place” artistic research project.
The exposition is a visual and textual map of exploratory projects by 10 Aalto ARTS students and 12 Universität der Künste students in their collaboratory workshop URBAN PERIPHERIES Vol. 1 in Helsinki/Espoo, during 5-20 February 2019.
The exposition is composed by the Aalto ARTS students and their supervisor, and it reflects the interventional works realised by the ARTS + UdK students, and experimental texts realised by the ARTS students after the actual workshop.
The exposition similarly works as a basis for the second part of URBAN PERIPHERIES (Vol. 2) that will take place in UdK Berlin in December 2019. It thus also outlines possible scenarios to be explored on grounds of the first workshop.