"Could there be a spherical version of the theorem, preserving the geometric spirit in terms of area relationships?"
Drawing as a practical and insightful approach to measurement through drawing of Spherical and Euclidean plane geometry.
A distinct space is defined by a complex web of relationships that characterize and distinguish it. Capturing these intricate connections proves to be a challenge, and within this context, delving into drawing becomes pivotal—an integral tool in the learning journey. The interplay between the digital and the analog in the realm of drawing as a medium for understanding and representation is explored. Appreciating the essence of space and its portrayal holds paramount importance in engineering education. Thus, we proposed a series of three distinct sessions, each offering diverse content and methods yet crucial for initiating STEM students into drawing as an analog tool for comprehending and representing space. Observing, perceiving, selecting, and representing (Massironi) are foundational. Tailored for FEUP students, the workshop aims to empower participants with analytical, representational, and communicative skills for spatial comprehension through engaging drawing activities. These workshops are thoughtfully structured, assuming that the targeted students may not possess fundamental drawing competencies. The sessions unfold progressively, presenting participants with content of increasing abstraction.
Prodigal Misfortunes fuses digital drawing with eerie storytelling to create a captivating realm where the boundaries between the visual and narrative blur, inviting audiences into a unique experience. This synthesis leverages the strengths of both mediums, with the algorithmic medium providing a limitless canvas for visual exploration and the eerie narratives weaving complex, thought-provoking tales that engage the imagination and evoke deep emotional responses.
Algorithmic drawing, with its capacity for intricate detail and surreal environments, sets the stage for stories that push beyond the ordinary, crafting scenes that are as haunting as they are beautiful. The eerie storytelling, in turn, infuses the artwork with a narrative depth that transforms each piece into a window into otherworldly tales, filled with mystery and the uncanny.
But algorithms are not neutral entities and its socio-political effects result from the will of real individuals behind them who use them as an apparatus for social control. Thus, we endeavor to maintain an explicit distance between artist and computer, in the context of the emerging AI/LLM technologies that threaten to reverse the mind-over-matter stance of classic dualism.
The use of mathematical chance through algorithmic processes to create drawings, aims to break free from technological functionalism. Mathematical randomness serves as a tool to explore the artist's inner self. Despite their digital nature, these drawings are firmly rooted in the tradition of drawing: they serve as a medium for expressing the artist's thoughts, embody the process of transferring these ideas onto a canvas over time, and highlight the artist's presence.
Through a created software tool the software that produces the drawing stands as an artwork on par with the produced images, although remaining invisible. Thousands of lines of code have been written, although they remain in obscurity as an inherent aspect of its personal nature.
CONFERENCE, UNIVERSITY OF PORTO.
October 16, 17, 18th, 2024
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Drawing Across :: Along :: Between University Borders considers the epistemological and transformative potential of drawing research to connect divergent areas in the university today. The conference focuses on drawing-based collaborations between art, science and society to tackle artistic, educational and societal challenges. We invite artists, scientists, educators, students, university policymakers and persons interested in inter-transdisciplinary practices across academia, research, and society to contribute and join the discussion in three possible directions:
ACROSS - In what ways are drawing practitioners challenging the disciplinary strictures that often constrain thinking and acting across divergent areas in the university?
ALONG - How can drawing activities be an ally of STEM education in the university, and how can STEM practices be an ally of drawing education?
BETWEEN - How can drawing-based practices and STEM disciplines collaborate to address the urgency of societal challenges?
