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Exposition

Aftermath - Or E for Installation (last edited: 2025)

About this exposition

Design for interactive art installation with urban regeneration proposal, as well as video about environmentalism and our technologically mediated private and public lives; installation catalogue design with photography and textual collage, 2021-2023. "There is a massive abundance of goods that end up in landfills. With such abundance of goods, no one should be deprived." Visitors will have to leave an unwanted item of theirs and take another to collect the installation catalogue. The installation will be monitored for this purpose. Designed with Wi-Fi light technology for agility training, the interactive floor in the entrance will be controlled by the visitors through a tablet computer that will allow them to select the difficulty level. The exposition offers a critical viewpoint to the contemporary gallery-mediated commercial environment by making reference to the non-monetary economies of artistic and cultural production. Art "is an instrument of war for attack and defense against the enemy". The enemy is whoever exploits their fellows out of egoism or personal interest (Pablo Picasso). With summary and questions about David Murakami Wood's article "The Global Turn to Authoritarianism", 'Surveillance and Society', (15), 3/4, 2017: 357-370.

type	research exposition
keywords	Regenerative design, war, environmentalism, Forensic photography, chiaroscuro, overexposed photography, mechanisation, AI, advertisement, Installation Art, graphic design, cloud computing, surveillance cameras, pointillism, Conceptual art, design
date	08/08/2021
last modified	01/11/2025
status	in progress
share status	public
copyright	Z.P.Nigianni
license	All rights reserved
language	British English
url	https://www.researchcatalogue.net/view/1319233/1319234

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comments: 1 (last entry by Zoe Panagiota (aka Betty) Nigianni - 09/12/2021 at 21:23)