Exposition

level soil (2023)

Haley Perkins
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About this exposition

The following is a three-pronged alternative master thesis based on the core research inquiry “What is musical-cultural appropriation and how do we, as musicians and artists, tackle it in practice?”. One part of the thesis is a case study of Paul Simon’s seminal album Graceland (1986) as a key example of musical-cultural appropriation in practice and how one’s habitus plays a role in their approach to a select culture(s). The next part of the thesis provides a brief overview of autoethnography as a research method and how it instrumentalizes this researcher’s own diametrically opposed personal-cultural positionalities (as both appropriator and appropriated, minority and majority) as a part of the answer to the question of musical-cultural appropriation. The final part of the thesis is a songwriting log that utilizes autoethnographic techniques in order to demonstrate and interrogate real-time musical-cultural appropriation in practice.
typeresearch exposition
keywordscultural appropriation, music, practice, Habitus, autoethnography, songwriting
date25/01/2023
published15/09/2023
last modified15/09/2023
statuslimited publication
share statusshared in portal(s):
affiliationNorges musikkhøgskole
copyrightHaley Justine Grønvold-Perkins
licenseCC BY-NC-ND
languageAmerican English
urlhttps://www.researchcatalogue.net/view/1919210/1919211
published inNMH Student Portal
portal issue5. Utvalgte masterarbeider - NMH, 2023


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