The Other Side of the Frame - Artistic Experience as Felt Framing. Fundamental principles  of an artistic theory of relativity

Julian Klein

About this exposition

Artistic experience can be interpreted as an embodied sensing of frameworks. In artistic constructions of realities, cognitive experience („Erfahrung“) and aesthetic sensing („Erleben“) interfere. Based on an analysis of aesthetic relativity in general, and of the artistic perspective on reality in particular, an artistic form of „sensuous cognition“ can be described: a genuine artistic understanding of the world as a sheaf of intentional coupling and decoupling manifolds, like an sensuous gauge theory of mind in multiple realities. The main gain of this approach can be found in an epistemological practice of a specific kind of artistic research, aiming for embodied and therefore experienced knowledge.

type	research exposition
date	01/10/2010
published	02/03/2012
last modified	15/10/2012
status	published
share status	private
affiliation	!KF - Institute for Artistic Research Berlin
license	All rights reserved
url	https://www.researchcatalogue.net/view/20821/20822
doi	https://doi.org/10.22501/rc.20821
published in	Research Catalogue

Research Catalogue

an international database for artistic research

The Other Side of the Frame - Artistic Experience as Felt Framing. Fundamental principles of an artistic theory of relativity (2012)

Simple Media