Julian Klein

°1970
research interests: artistic mode, practice and theory of playing, mise en musique, neuroaesthetics, emotionology, sonification, historical investigation
affiliation: !KF - Institute for Artistic Research Berlin, http://www.artistic-research.de
en

Julian Klein, composer and director, head of Institute for Artistic Research Berlin, studied composition, mathematics and physics, is member of the art group a rose is and president of the Society for Artistic Research in Germany GKFD. He teaches directing at the University of Arts Berlin and has teached and researched at various universities, a.o. at Free University Berlin, HfMDK Frankfurt am Main, Mozarteum Salzburg, Concordia Montréal, Kunstuni Linz. His research interests include the artistic mode, practice and theory of playing, mise en musique, neuroaesthetics, emotionology, sonification, historical investigation.

 

Selected Works

2015/2017. The Balloon. A German C(h)ase. Music Theatre

2013. Infamous Perspectives

2011. Hans Schleif

2008. HUM - the Art of Collecting. www.taxomania.de

2001-2004. Brain study. Performance Installation for interconnected Brain Players

 

Selected Texts

2018. The Mode is the Method or How Research can become artistic

2015. Artistic Research Does Not Exist - and how she managed not to be afraid

2010. What is Artistic Research?

2010. The other side of the frame. Fundamental principles of an artistic theory of relativity.

more Publications see www.artistic-research.de/publications


research

research expositions

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works

  • The Other Side of the Frame - Artistic Experience as Felt Framing. Fundamental principles of an artistic theory of relativity. (01/10/2010)
    Publication: Paper, artist(s)/author(s): Julian Klein
    Artistic experience can be interpreted as an embodied sensing of frameworks. In artistic constructions of realities, cognitive experience („Erfahrung“) and aesthetic sensing („Erleben“) interfere. Based on an analysis of aesthetic relativity in general, and of the artistic perspective on reality in particular, an artistic form of „sensuous cognition“ can be described: a genuine artistic understanding of the world as a sheaf of intentional coupling and decoupling manifolds, like an sensuous gauge theory of mind in multiple realities. The main gain of this approach can be found in an epistemological practice of a specific kind of artistic research, aiming for embodied and therefore experienced knowledge.
  • What is artistic research? (30/03/2010)
    Publication: Paper, artist(s)/author(s): Julian Klein
    Art and science are not separate domains, but rather two dimensions in the common cultural space. This means, research is not then or only artistic, if carried out by artists, but deserves the attribute artistic, where, when and by whom whatsoever been made to a specific quality: the mode of artistic experience. Artistic experience is itself a form of reflection. And furthermore, whether implicit or explicit, artistic knowledge is embodied knowledge. The knowledge that artistic research strives for is a felt knowledge.
  • Homo taxomaniae spec. nov. (01/01/2008)
    Publication: Publication, artist(s)/author(s): Julian Klein
    a new staged species of the genus homo
  • HUM - die Kunst des Sammelns (Textbuch) (01/01/2008)
    artist(s)/author(s): Julian Klein

comments

Exposition: Hans Schleif - Stations of the Biography of an Architecture Historian in German National Socialism – Addenda and Register (12/11/2016) by Julian Klein
Julian Klein 03/01/2017 at 19:16

In this version we have discovered a graphical erratum on page 378.

To access the correct version please go to:

https://www.academia.edu/30206594/




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