Exposition

Facilitating Dialogues in Indigenous Sámi Art Projects at the Sámi Centre for Contemporary Art in Karasjok (2025)

Marija Griniuk
open exposition

About this exposition

The current research builds on exhibitions hosted by the Sámi Centre for Contemporary Art in Karasjok in 2023. These exhibitions featured Indigenous Sámi artists, involving both curators and non-Indigenous art managers and facilitators. Some projects showcased solo exhibitions by Sámi artists, while others adopted the format of exhibitions based on the RidduDuottar Museum Collection in Karasjok. The study aims to uncover the primary methods of facilitation and the application of love and care in creating spaces for interaction between artists, artworks, and audiences at the Sámi Centre for Contemporary Art. First, the cases are presented, followed by an analysis applying two keywords – facilitation and love. The research method employed is arts-based research. The data consist of visual data in the form of photo documentation and text-based data in the form of notes. The data are approached through reflexive analysis. The analysis of these cases delves into the concept of love, containing sub-concepts such as care, compassion, and empathy. The findings yield key recommendations that facilitators of artistic gatherings can implement in art galleries presenting Indigenous Sámi art.
typeresearch exposition
date23/02/2024
published12/06/2025
last modified12/06/2025
statuspublished
share statusprivate
copyrightMarija Griniuk
licenseCC BY-NC-ND
urlhttps://www.researchcatalogue.net/view/2588285/3226667
doihttps://doi.org/10.22501/ruu.2588285
published inRUUKKU - Studies in Artistic Research
portal issue22. Indigeneities


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copyrightLena Stenberg
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copyrightLena Stenberg
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copyrightPhoto by Tor Egil Rasmussen for SDG
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copyrightGeir Nustad. Photo by Tor Egil Rasmussen for SDG
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copyrightAnsgar Ole Olsen
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copyrightPhoto by Marija Griniuk for SDG
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copyrightPhoto by Marija Griniuk for SDG
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copyrightMarija Griniuk
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nameMarija Griniuk
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copyrightMarija Griniuk
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copyrightTor Egil Rasmussen
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copyrightMarija Griniuk
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