Exposition

Madness in music (2018)

May Kristin Hegvold
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Name: May Kristin Svanholm Hegvold Main Subject: Early Music Singing Research Supervisor: Inês de Avena Braga Title of Research: Madness in music Research Question: How can one, convincingly, portray madness in a musical performance without being considered in a state of madness? Summary of Results: In the 17th century, madness was a relatively common theme in entertainment such as poetry, theatre, and music. There was something that fascinated the people of that time with the uncontrollable nature of madness. Henry Purcell and Thomas d’Urfey was among the many writers and composers who dealt with this subject, and a selection of their mad songs and texts are the main focus of my research. Feelings such as love, hate, envy, sadness and happiness are feelings most of us have felt in our life, but madness is perhaps a state that is exclusive to some people. Is it then possible to portray this state of mind convincingly in a performance of the music? To answer this question, I have examined how madness was portrayed by Purcell and d’Urfey, and generally how people that were considered mad was treated and viewed by the society. After researching the madness of the 17th century and what we today view as madness through music, text, historical documents and other forms of entertainment, I have come to the conclusion that it is possible to portray madness convincingly, but that madness is something completely different than the feelings previously mentioned. One person can view something as madness while someone else sees it as completely normal. Biography: May Kristin Svanholm Hegvold is a soprano from Norway. She did her bachelor's degree at the Conservatoire in Trondheim with professor Elisabeth Meyer-Topsøe, and is now studying for a master's degree in the early music department at the Royal Conservatoire in The Hague, with Rita Dams. May Kristin has participated as a soloist in many productions, including the premieres of two new operas by Norwegian composers, “Pappapermisjon” by Bertil Palmar Johansen and “Kommentarfeltet” by Trygve Brøske. She has also, among other things, been the soloist in Pergolesi’s “Stabat Mater” and sung the roles of Dido, 2nd Woman and 1st Witch from the opera “Dido and Aeneas”. Her latest roles involve Pamina from the opera “Die Zauberflöte” and Piacere from Händels “Il Trionfo del Tempo”.
typeresearch exposition
keywordsmadness, music, Purcell, d'Urfey, Bedlam
date20/09/2016
published24/09/2018
last modified24/09/2018
statuspublished
share statusprivate
licenseAll rights reserved
urlhttps://www.researchcatalogue.net/view/299015/299016
published inKC Research Portal
portal issue1. Master Research Projects


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id name copyright license
316303 May Kristin Svanholm Hegvold, Research proposal May Kristin Svanholm Hegvold, 2016 All rights reserved
315193 May Kristin Svanholm Hegvold, Research proposal May Kristin Svanholm Hegvold, 2016 All rights reserved
366378 May Kristin Svanholm Hegvold, Madness in music, Master research-kopi 2017, Mayo All rights reserved
366380 Scores, mad songs Mayo, 2017 All rights reserved
406129 Madness in music, May Kristin Svanholm Hegvold mayo 2017 All rights reserved
406133 Madness in music, May Kristin Svanholm Hegvold mayo - 2017 All rights reserved
406140 Next step, May Kristin Svanholm Hegvold mayo - 2017 All rights reserved
406147 Madness in music, May Kristin Svanholm Hegvold mayo - 2017 All rights reserved
427198 random overskrift mayo - 2017 All rights reserved
427200 random overskrift mayo - 2018 All rights reserved
436807 Unknown mayo 2018 All rights reserved
436808 Unknown-2 mayo 2018 All rights reserved
436809 Unknown-3 mayo 2018 All rights reserved
436810 Unknown-4 mayo 2018 All rights reserved
436811 Unknown-5 mayo 2018 All rights reserved
436812 Unknown-6 mayo 2018 All rights reserved
436814 Unknown-7 mayo 2018 All rights reserved
436816 Unknown-8 mayo 2018 All rights reserved
436818 Unknown-9 mayo 2018 All rights reserved
436820 Unknown-10 mayo 2018 All rights reserved
436822 Unknown-11 mayo 2018 All rights reserved
436856 Purcell 7 mayo 2018 All rights reserved
436857 Purcell 4 mayo 2018 All rights reserved
436858 Purcell 8 mayo 2018 All rights reserved
436863 Purcell 2 mayo 2018 All rights reserved
436864 Purcell 13 mayo 2018 All rights reserved
436865 Purcell 1 mayo 2018 All rights reserved
436866 Purcell 6 mayo 2018 All rights reserved
436867 Purcell 3 mayo 2018 All rights reserved
436868 Purcell 5 mayo 2018 All rights reserved
436869 Purcell 12 mayo 2018 All rights reserved
436870 Purcell 8 mayo 2018 All rights reserved
436871 Purcell 12 mayo 2018 All rights reserved
436872 Purcell 11 mayo 2018 All rights reserved
436914 1. Introduction - Madness in music mayo - 2017 All rights reserved
436916 2. Research question mayo 2018 All rights reserved
436918 3. Bedlam - the home of the mad mayo 2018 All rights reserved
436920 4. What is madness mayo 2018 All rights reserved
436923 5. Composer and writer mayo 2018 All rights reserved
436925 6. From Rosy Bowers mayo 2018 All rights reserved
436927 7. Let the dreadful engines mayo 2018 All rights reserved
436929 8. How is madness presented in the music mayo 2018 All rights reserved
436931 9. How I portray madness mayo 2018 All rights reserved
436933 10. Summary and conclusion mayo 2018 All rights reserved
436935 11. Bibliogrophy mayo 2018 All rights reserved
436940 From Rosy Bow'rs, May Kristin Svanholm Hegvold mayo 2018 All rights reserved
436942 From Rosy Bowers, part 1 mayo 2018 All rights reserved
436949 May Kristin Svanholm Hegvold, Madness in music mayo 2018 All rights reserved
440177 10. Conclusion mayo 2018 All rights reserved
440178 May Kristin Svanholm Hegvold, Madness in music mayo 2018 All rights reserved
440709 1. Introduction - Madness in music mayo 2018 All rights reserved
440711 2. Research question mayo 2018 All rights reserved
440713 3. Bedlam - The home of the mad mayo 2018 All rights reserved
440716 4. What is madness mayo 2018 All rights reserved
440718 5. Composer and writer mayo 2018 All rights reserved
440719 6. From Rosy Bowers mayo 2018 All rights reserved
440721 7. Let the dreadful engines mayo 2018 All rights reserved
440723 8. How is madness presented in the music mayo 2018 All rights reserved
440724 9. How I portray madness mayo 2018 All rights reserved
440725 10. Conclusion mayo 2018 All rights reserved
440726 11. Bibliogrophy mayo 2018 All rights reserved
440886 May Kristin Svanholm Hegvold, Madness in music mayo 2018 All rights reserved
441586 May Kristin Svanholm Hegvold, Madness in music mayo 2018 All rights reserved
441624 2. Research question mayo 2018 All rights reserved
441627 9. How I portray madness mayo 2018 All rights reserved
441629 10. Summary and conclusion mayo 2018 All rights reserved
441632 1. Introduction - Madness in music mayo 2018 All rights reserved
441767 May Kristin Svanholm Hegvold, Madness in music mayo 2018 All rights reserved
441953 11. Bibliography and appendix mayo 2018 All rights reserved
443020 May Kristin Svanholm Hegvold, Madness in music mayo 2018 All rights reserved
443029 1. Introduction - Madness in music mayo 2018 All rights reserved
443039 6. From Rosy Bowers mayo 2018 All rights reserved

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