Exposition

Illuminating Sound (2025)

Teng Katherine

About this exposition

This research investigates the active role of light as a core compositional element in contemporary music performance by exploring the integration of light, sound, and movement in real-time environments. Traditionally, light has been treated as a secondary aspect of performance, primarily serving as a means of illumination or visual enhancement. However, this study examines how light can function beyond this conventional role, actively shaping musical structure and influencing perception. Through the analysis of live performances and hands-on experimentation with analogue oscillators, photoresistors, and DMX systems, this research explores how these elements function as both medium and material within a piece. My compositions, alongside works by composers such as Viola Yip and Hugo Morales Murguía, serve as case studies, illustrating light’s transformation in performance from a passive visual aid to a structural force. These works highlight how light, when treated as a compositional element, reconfigures performer agency and audience perception. By challenging conventional notions of light in music, this research contributes to ongoing discussions on multimedia composition and performance aesthetics. It proposes an alternative perspective in which light is not merely an accessory to sound but an integral component of musical structure, expanding the possibilities for interdisciplinary performance practice.
typeresearch exposition
keywordsmultimedia, light, composition, interdisciplinary
date07/11/2024
published14/07/2025
last modified14/07/2025
statuspublished
share statusshared with registered RC users
copyrightKatherine Ching-Fang Teng
licenseCC BY-NC-ND
languageEnglish
urlhttps://www.researchcatalogue.net/view/3159611/3159612
doihttps://doi.org/10.22501/koncon.3159611
published inKC Research Portal
portal issue1. Master Research Projects


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comments: 1 (last entry by Hugo Moralis - 07/03/2025 at 13:34)