Exposition

𝘎𝘦π˜ͺ𝘴𝘡𝘣𝘢𝘴𝘡𝘦𝘳𝘴: The Search for Liberty in Authenticity Through Franz Liszt's Interpretation of Beethoven's music (2025)

Aruth Masrangsan
open exposition

About this exposition

This work explores the balance between tradition and innovation in classical music performance, focusing on Franz Liszt's interpretation of Beethoven's music and the concept of Geist (spirit). It traces Liszt's evolution from his early studies with Carl Czerny, a direct pupil of Beethoven, through his virtuosic performance years, to his later focus on preserving Beethoven's legacy as a teacher. Drawing on sources from musicians and scholars, the study examines the philosophical and practical challenges of authenticity, highlighting the tension between historical accuracy and artistic expression. It argues that authenticity should not rigidly reproduce the past but should capture the spirit of the music in a way that resonates with contemporary audiences. Ultimately, the study advocates for a balanced approach, honoring historical sources while allowing for personal creative interpretation. By examining Liszt's legacy, this work aims to inform and inspire my own performance practices, blending historical performance studies with personal expression.
typeresearch exposition
keywordsAuthenticity, freedom, historically informed performance
date12/11/2024
published15/05/2025
last modified15/05/2025
statuspublished
copyright-
licenseCC BY-NC-ND
languageEnglish
urlhttps://www.researchcatalogue.net/view/3173139/3203386
doihttps://doi.org/10.22501/koncon.3173139
published inKC Research Portal
portal issue1. Master Research Projects


Copyrights

nameExample 1: Beethoven Sonata in C Minor, "PathΓ©tique," Op. 13, II. Adagio cantabile (BΓΌlow Edition).
copyrightPublic domain
licenseAll rights reserved
usagespicture
nameExample 1.1: Beethoven Sonata in C Minor, "PathΓ©tique," Op. 13, II. Adagio cantabile (Henle Verlag Edition).
copyrightPublic domain
licenseAll rights reserved
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nameExample 1.2: Beethoven Sonata in C Minor, "PathΓ©tique," Op. 13, II. Adagio cantabile in Czerny, β€œOn the Proper Performance of All Beethoven's Works for the Piano,” 43.
copyrightUniversal Edition A.G., Wien
licenseAll rights reserved
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name481889527_3939759116243116_3703417933457355529_n
copyrightPWM edition
licenseAll rights reserved
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nameEx.2 Fortepiano
copyrightNone
licenseAll rights reserved
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nameEx.2 Modern piano
copyrightNone
licenseAll rights reserved
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name482572968_451768384592834_6509002367640041611_n (1)
copyrightPWM edition
licenseAll rights reserved
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copyrightPWM edition
licenseAll rights reserved
usagespicture
namechopin c mp
copyrightNone
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namechopin c fp
copyrightNone
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nameExample 3.1: Beethoven Sonata in A-flat Major, Op. 26, I. Andante con Variazioni, mm. 204-19 (BΓΌlow Edition).
copyrightUniversal Edition A.G., Wien
licenseAll rights reserved
usagespicture
nameExample 3: Beethoven Sonata in A-flat Major, Op. 26, I. Andante con Variazioni, mm. 204-19 (Manuscript).
copyrightPublic domain
licenseAll rights reserved
usagespicture
namebee fp
copyrightNone
licenseAll rights reserved
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namebee mp
copyrightNone
licenseAll rights reserved
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comments: 3 (last entry by Bart van Oort - 07/03/2025 at 09:46)