Exposition

The recercatas of de Albero (2025)

Pedro G. A. Aguinagalderomalde

About this exposition

Sebastián de Albero is an interesting musical historic figure in Spain that represents wonderfully the context in which he lived. He drew influence from many places, and the pieces in his album Obras para Clavicordio o Piano Forte are no different. This extraordinary album is the first in Spain to be dedicated to the piano forte, and the recercatas in the album, six, are enigmatic, strange pieces of the Spanish music history. Their influence from the French unmeasured preludes is quite strong, an influence that was possible due to de Albero’s unique background. These pieces give us clues about the musical context of de Albero in the court and out of it: In Navarra, French influences were certainly present, the piano forte was a somewhat popular instrument in court, the recently imported Italian recitativos and toccatas in Madrid offered the right atmosphere for the creation of new rhythmically free pieces, and the Spanish musical tradition was as strong as ever. I propose how to deal with aspect of performance of these recercatas based on their contents and history. The thesis format is most adequate for this work, for its extensive nature
typeresearch exposition
keywords18th century, spanish music, piano, historically informed performance, Sebastián de Albero, Art of Interpretation
date19/11/2024
published14/07/2025
last modified14/07/2025
statuslimited publication
copyrightPedro G. A. Aguinagalderomalde
licenseCC BY-SA
languageEnglish
urlhttps://www.researchcatalogue.net/view/3202046/3202047
published inKC Research Portal
portal issue3. Internal publication


Copyrights


comments: 1 (last entry by Bart van Oort - 05/03/2025 at 11:49)