Exposition

Sound-Essay 2 (2017)

Boris Previsic

About this exposition

The three sound files per row are of similar duration and represent layers of a filtering process: the original source (left) is Boris Previsic’s complete reading of the German version of his article Acoustic Micro- and Macroephemeralities in Literature. Robert Walser’s Microscript 364 (1925) and Peter Weber’s Silber und Salbader (1999), home-recorded in five takes on his mobile phone. These takes have been filtered with a reciprocal mp3-filter by Hannes Seidl (middle) and the five resulting sound files inspired Lucas Niggli to five Sound Essays with the same duration (right). The readers are invited to mix their own version out of the different layers.
typeresearch exposition
date02/01/2017
published18/01/2017
last modified18/01/2017
statuspublished
share statusprivate
licenseAll rights reserved
urlhttps://www.researchcatalogue.net/view/323299/323302
doihttps://doi.org/10.22501/JSS.323299
published inJournal of Sonic Studies
portal issue13. Issue 13


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