Exposition

HACKING SOUND SENSORIALITY (2025)

Marie Rose Sarri
open exposition

About this exposition

HACKING SOUND SENSORIALITY_how to build embodied sound objects for electroacoustic music with lofi techniques Disembodiment is not new and does not only exist because of the current technological reality. It is an experience that various practitioners, in the field of music, experience constantly. The composer/producer/musician/sound designer moves the material. The listener only perceives its virtual representation. How to bridge the gap between the bodily experience of sound creation and its fruition and further (re)creation in the virtual world? By using synesthesia in the creation of an object-based sound method and vocabulary with the use of lofi techniques. A synesthesia of sensory roots to place the body-cosmos at the centre of sound, to make this simulacrum of identity a bridge between the articulate and the inarticulate, between the real and the virtual. Lofi thought, with its techniques for creating and modifying sound, has a new vision of technology, linked to knowledge and memories of the body. The aim is to design a new vocabulary of tools and methods for the creation of sound objects with different degrees of embodiment. These sound objects will be designed to live in two worlds: in the disembodied world of the virtual and in the material world of corporeal sonority. The article explores the use of a practical and philosophical hacking that does not colonise the new virtual sound territories, emptying them of resources and meanings, but amplifies them through the semiotics of the ancient territories of the body, in order to make them habitable and fertile.
typeresearch exposition
keywordssound design, electroacoustic music composition, lofi, embodied methodology, electronic and electroacoustic music, production process, studio as a compositional tool, recording studio production, hacking, sound art, music technology
date04/04/2024
published08/04/2025
last modified08/04/2025
statuspublished
share statusprivate
copyrightMarie Rose Sarri
licenseAll rights reserved
languageEnglish
urlhttps://www.researchcatalogue.net/view/3233312/3233313
published inArteActa – Journal for Performing Arts and Artistic Research
portal issue12. Corporeality, Disembodiment, Inter-Action (ArteActa 12/2024)

References

  • Adkins, Monty, “Fragility, Noise, and Atmosphere in Ambient Music”, in Music Beyond Airports: Appraising Ambient Music, ed. by Adkins Monty, Cummings Simon (Huddersfield, United Kingdom: University of Huddersfield Press, 2019)
  • Baudrillard, J, Simulacra and Simulation (University of Michigan Press, 1994)
  • Bonfantini, Massimo A, La Semiosi E l’abduzione (Bompiani, 1997)
  • Guerra Lisi, Stefania, and Gino Stefani, Il Corpo Matrice Di Segni Nella Globalità Dei Linguaggi (Borla, 2010)
  • Leman, Marc, Embodied Music Cognition and Mediation Technology (MIT Press, 2008)
  • Link, Stan, “The Work of Reproduction in the Mechanical Aging of an Art: Listening to Noise”, Computer Music Journal, 25 (1) (MIT Press, 2001), pp. 34-47 <https://doi.org/10.1162/014892601300126098>
  • Smalley, Denis, “Space-Form and the Acousmatic Image”, Organised Sound, 12 (1) (Cambridge University Press, 2007), pp. 35-58 <https://doi.org/https://doi.org/10.1017/S1355771807001665>

Copyrights

namecover
copyrightMarie Rose Sarri
licenseAll rights reserved
usagespicture
nameAiwa portable reel-to-reel
copyrightMarie Rose Sarri
licenseAll rights reserved
usagespicture
nameBoss RV-3
copyrightMarie Rose Sarri
licenseAll rights reserved
usagespicture
nameblank audio cassettes
copyrightMarie Rose Sarri
licenseAll rights reserved
usagespicture
nameCasio SK-8
copyrightMarie Rose Sarri
licenseAll rights reserved
usagespicture
nameVinyl Crackles
copyrightMarie Rose Sarri
licenseAll rights reserved
usagesaudio
namesampling_a sound
copyrightMarie Rose Sarri
licenseAll rights reserved
usagesaudio
namesummer night
copyrightMarie Rose Sarri
licenseAll rights reserved
usagesaudio
nameabstract field recording
copyrightMarie Rose Sarri
licenseAll rights reserved
usagesaudio
namelayering
copyrightMarie Rose Sarri
licenseAll rights reserved
usagesaudio
namefiltering_original file
copyrightMarie Rose Sarri
licenseAll rights reserved
usagesaudio
namefiltering
copyrightMarie Rose Sarri
licenseAll rights reserved
usagesaudio
nametape manipulation
copyrightMarie Rose Sarri
licenseAll rights reserved
usagesaudio
nametape loop creation
copyrightMarie Rose Sarri
licenseAll rights reserved
usagespicture
nameFORCHETTA
copyrightMarie Rose Sarri
licenseAll rights reserved
usagesaudio
nameMOVIMENTO II° parte by MonoLogue_MAST for digital
copyrightMarie Rose Sarri
licenseAll rights reserved
usagesaudio
nameexample A1_unprocessed
copyrightMarie Rose Sarri
licenseAll rights reserved
usagesaudio
nameexample A2_processed
copyrightMarie Rose Sarri
licenseAll rights reserved
usagesaudio
nameexample B1_unprocessed
copyrightMarie Rose Sarri
licenseAll rights reserved
usagesaudio
nameexample B2_processed
copyrightAll rights reserved
licenseAll rights reserved
usagesaudio
nameexample C1_unprocessed
copyrightMarie Rose Sarri
licenseAll rights reserved
usagesaudio
nameexample C2_processed
copyrightMarie Rose Sarri
licenseAll rights reserved
usagesaudio
nameTascam Porta02
copyrightMarie Rose Sarri
licenseAll rights reserved
usagespicture
nameMOVIMENTO
copyrightMarie Rose Sarri
licenseAll rights reserved
usagespicture
nametape loop making
copyrightMarie Rose Sarri
licenseAll rights reserved
usagespicture

Comments are only available for registered users.