Research Catalogue

References

• Bennett, Jane, Vibrant Matter: A Political Ecology of Things, Pg. 5. (Durham, NC: Duke University Press, 2010)
• Bohm, David, Wholeness and the Implicate Order (London: Routledge, 1980)
• Deleuze, Gilles, and Felix Guattari, Anti-Oedipus: Capitalism and Schizophrenia, Pg. 8-10 (Minneapolis: University of Minnesota Press, 1983)
• Derrida, Jacques, Jacques Derrida, “Différance,” in Margins of Philosophy (Chicago: University of Chicago Press, 1982)
• Derrida, Jacques, Margins of Philosophy, Trans. Alan Bass, Pg. 240. “According to the Elliptical Syllogism of Mimesis, the Pleasure of Knowing Always Accommodates Itself to the Marking Absence of Its object.” This Relates to Derrida’s Broader Articulation of the Role of Absence in Representation; Pg. 269, “In the World of This Desire, Metaphor Is Born in the East Is Soon As the Latter Sets Itself to Speak, to Work, to Write, Suspending Its Pleasures, Separating Itself from Itself and Naming Absence: That Is, What is.” ((Chicago: University of Chicago Press, 1982)
• Feld, Steven, Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression (Philadelphia: University of Pennsylvania Press, 1990)
• Goodman, Steve, Sonic Warfare: Sound, Affect, and the Ecology of Fear, Pg. 83 (Cambridge, MA: MIT Press, 2010)
• Kahn, Douglas, Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts, Pg. 4–5. (Berkeley: University of California Press, 2013)
• Kodwo, Eshun, More Brilliant Than the Sun: Adventures in Sonic Fiction (London: Quartet Books, 1998)
• Kubisch, Christina, Electrical Walks (Berlin: Kubisch Studio, 2004)
• Merleau-Ponty, Maurice, The Visible and the Invisible, Pg. 250. (Evanston, IL: Northwestern University Press,ed. Claude Leforttrans. Alphonso Lingis, 1968)
• Mumma, Gordon, Seismic Music: Composition in Response to Geophysical Events.” Paper Presented at the International Computer Music Conference, 1979
• Schafer, R. Murray, The Soundscape: Our Sonic Environment and the Tuning of the World (VT: Destiny Books, Rochester, 1994)
• Sterne, Jonathan, The Sound Studies Reader, Pg. 1–17. (London: Routledge, 2012)
• Toop, David, Sinister Resonance: The Mediumship of the Listener, pg.37 (London: Continuum, 2010)
• Tóth, Viktor, “’ MFCCs (mel-Frequency Cepstral Coefficients) Are Widely Used in Psychoacoustics and Auditory Display Precisely Because They Apply Logarithmic Scaling of Frequency to Match How Humans Perceive Pitch”., 2019
• Watts, Alan, The Book: On the Taboo Against Knowing Who You Are (New York: Pantheon, 1966)
• Woodhouse, J.H, and A. Deuss, Theory and Observations – Earth’s Free Oscillations, in Treatise on Geophysics, 2nd ed., Ed. Gerald Schubert, Vol. 1, Pg, 79. (Oxford: Elsevier, 2015)
• Wright, Mark Peter, Listening After Nature: Field Recording, Ecology, Critical Practice, Pg. 3 (Manchester: Manchester University Press, 2022)