352361 |
Coplans. Interlocking Fingers 3 |
Coplans, John. |
All rights reserved |
352359 |
Coplans. Hand Back |
Coplan |
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349094 |
Soil Fire Paper |
Rhian |
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349092 |
Soil as rain and paper |
Rhian |
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349090 |
Soil and hand |
Rhian |
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349081 |
Isadora - interaction - Words and Sound |
isadora |
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349071 |
Coplans. Feet 5 panels |
Coplans, John. |
All rights reserved |
349069 |
Coplans. Interlocking Fingers |
Coplans, John. |
All rights reserved |
349065 |
Coplans. Back and hands |
Coplans, John. |
All rights reserved |
349059 |
Larcher. Self 6 |
Claudia Larcher. Self (2015) |
All rights reserved |
349057 |
Larcher. Self 7 |
Claudia Larcher. Self (2015) |
All rights reserved |
349053 |
Larcher. Self 3 |
Larcher, Claudia. |
All rights reserved |
348579 |
Skin Video - throat |
Ferdi |
All rights reserved |
348577 |
Skin Video - Ribbs |
ferdi |
All rights reserved |
348575 |
Skin Video - Lipps |
Ferdi |
All rights reserved |
348573 |
Skin Video - Belly |
Ferdi |
All rights reserved |
348571 |
Davies, Osmose still |
Char Davies |
All rights reserved |
348569 |
Isadora - Lumakey, envelope generator - Bubbles and face suggestion |
isadora |
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348567 |
Isadora - Effects i have tried out |
isadora |
All rights reserved |
348552 |
Zarrill in Archeologies of Presence |
Zarrilli |
All rights reserved |
340804 |
Skelton Limnology Text |
Skelton, Richard |
All rights reserved |
340802 |
Told by the wind Zarrilli |
Zarrilli |
All rights reserved |
340799 |
Kraps laatste Band NTGent |
NTGent |
All rights reserved |
340797 |
Abramovich Freeing the Voice |
Abramovich |
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340783 |
fourquartets - copy |
T |
All rights reserved |
340781 |
fourquartets - copy |
T.S. Eliot |
All rights reserved |
340747 |
fourquartets - copy |
T |
All rights reserved |
340745 |
fourquartets - copy |
T.S. Eliot |
All rights reserved |
340710 |
fourquartets - copy |
T |
All rights reserved |
340708 |
fourquartets - copy |
T.S. Eliot |
All rights reserved |
340672 |
fourquartets - copy |
T |
All rights reserved |
340670 |
fourquartets - copy |
T.S. Eliot |
All rights reserved |
340647 |
Internshipplan HKU - Feedback reflections (in dutch) - copy |
Juriaan Achthoven |
All rights reserved |
340645 |
Internshipplan University - copy |
Juriaan Achthoven |
All rights reserved |
340643 |
Internshipplan HKU (dutch) - copy |
Juriaan Achthoven |
All rights reserved |
340638 |
Internshipplan HKU - Feedback reflections (in dutch) - copy |
Juriaan Achthoven |
All rights reserved |
340636 |
Internshipplan University - copy |
Juriaan Achthoven |
All rights reserved |
340634 |
Internshipplan HKU (dutch) - copy |
Juriaan Achthoven |
All rights reserved |
340630 |
Eliot. Social function of poetry - copy |
T.S. Eliot |
All rights reserved |
340628 |
Servotte, Herman. About Eliot - copy |
Herman Servotte |
All rights reserved |
340626 |
Four Quartets Adaptation 1,2,3,4 I based on verbs - copy |
Juriaan Achthoven |
All rights reserved |
340622 |
fourquartets - copy |
T.S. Eliot |
All rights reserved |
340620 |
Eliot. Social function of poetry - copy |
T.S. Eliot |
All rights reserved |
340618 |
Servotte, Herman. About Eliot - copy |
Herman Servotte |
All rights reserved |
340616 |
Four Quartets Adaptation 1,2,3,4 I based on verbs - copy |
Juriaan Achthoven |
All rights reserved |
340612 |
fourquartets - copy |
T.S. Eliot |
All rights reserved |
335111 |
Eliot. Social function of poetry |
T.S. Eliot |
All rights reserved |
335109 |
Eliot. Social function of poetry |
T.S |
All rights reserved |
335107 |
Servotte, Herman. About Eliot |
Herman Servotte |
All rights reserved |
335100 |
Four Quartets Adaptation 1,2,3,4 I based on verbs |
Juriaan Achthoven |
All rights reserved |
335076 |
Internshipplan HKU - Feedback reflections (in dutch) |
Juriaan Achthoven |
All rights reserved |
335073 |
Internshipplan University |
Juriaan Achthoven |
All rights reserved |
335066 |
Internshipplan University |
Juriaan Achth |
All rights reserved |
335064 |
Internshipplan HKU (dutch) |
Juriaan Achthoven |
All rights reserved |
333833 |
Little Gidding I verbs |
no |
All rights reserved |
333832 |
Burnt Norton I verbs |
no |
All rights reserved |
331678 |
Eliot. Four Quartets |
Eliot |
All rights reserved |
331675 |
fourquartets |
T.S. Eliot |
All rights reserved |
331674 |
fourquartets |
T |
All rights reserved |
330923 |
Brainstorm Voortuin |
no |
All rights reserved |
370697 |
selecting images to project |
no |
All rights reserved |
370699 |
Projecting on the body |
no |
All rights reserved |
370703 |
Juriaan Gregor joins the team |
no |
All rights reserved |
370718 |
de-humanizing hand |
no |
All rights reserved |
370720 |
mating dance on table |
no |
All rights reserved |
370724 |
Hands on Back |
no |
All rights reserved |
370726 |
Burried Under Soil |
x |
All rights reserved |
373858 |
HANDS by Jonathan Burrows (1995) |
Jonathan Burrows |
All rights reserved |
373859 |
Soil Dance III.I 33 |
no |
All rights reserved |
373861 |
mette ingvartsen |
Mette Ingvartsen |
All rights reserved |
374726 |
Borges |
Borges |
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374727 |
Borges, Jorge Luis. 1941. Circular Time |
Borges |
All rights reserved |
374729 |
Wiles, David. 2014. Theatre & Time, Rhythm. |
Wiles, David |
All rights reserved |
374731 |
Zarrilli. …presence… as a question and emergent possibility a case study from the performers perspective |
Zarrilli |
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374737 |
Ronda, Margaret. Mourning and Melancholia in the Anthropocene |
Ronda |
All rights reserved |
374926 |
soil dance in performance |
ferdi |
All rights reserved |
374973 |
Kattenbelt. Autonomie van de (zwijgende) filmkunst |
Kattenbelt |
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375112 |
Numerical Movement I |
no |
All rights reserved |
375119 |
Numerical Movement II |
no |
All rights reserved |
375131 |
Numerical Movements I II III IV V |
no |
All rights reserved |