This thesis explores how production techniques shape narrative structure and
emotional depth in recorded music and film soundtracks. By examining the
intersection of composition, sound design, and mixing techniques, the research
investigates how producers, composers, and sound engineers craft compelling
storytelling through sound. Drawing from academic literature, case studies, and
interviews with industry professionals, it combines theoretical frameworks with
practical insights.
The study first establishes a theoretical foundation, exploring key concepts such
as the producer’s role, semiotic approaches to musical meaning, and the definition and
evolution of conceptual music. It then outlines the methodology, incorporating insights
from interviews with professionals that shed light on topics like the conscious and
subconscious decision-making processes behind these techniques. Following this, the
research examines various compositional and mixing techniques, analyzing how these
methods contribute to narrative expression. Finally, the study applies these findings to
original case studies, demonstrating the practical implementation of these production
techniques in a concept album and a film soundtrack composed by the author.
The findings highlight shared methodologies across disciplines, revealing how
music producers and film composers employ similar strategies to shape audience
perception and emotional engagement. By bridging theory and practice, this thesis
provides a framework relevant to both academic research and industry professionals,
demonstrating how sonic storytelling can be intentionally crafted to enhance
emotional depth, coherence, and narrative structure in music and film soundtracks.
comments: 1
(last entry by Brecht de Man - 05/03/2025 at 22:19)