Research Catalogue

About this exposition

How do you imagine a new kind of theatre? Where terror is not a genre, but a collective and emotional ritual. At its core lies the relationship between character, costume, and monster. Starting from the concept of an art of the underground, the research explores how fear, trauma and memory shape creation. The character wears a costume to be seen, but it is the monster — emerging from the subconscious — that speaks the unspeakable. He work unfolds through drawing, material collection (feathers, petals), costume prototyping, 3D modeling, and the creation of a short videogame demo: this builds emotional attachment to the protagonist, who will later return in a theatrical performance, turning the stage into a ritual of recognition. Not a political theatre. Not a moral one. But a theatre of the deeply human — where the audience no longer watches, but witnesses.

type	research exposition
keywords	:), theatre, terror, costume research, monsters, character representation
date	13/07/2025
last modified	15/07/2025
status	in progress
share status	public
affiliation	Accademia di Belle Di Brera
copyright	CC BY-SA 4.0
license	CC BY-NC-SA
language	English
url	https://www.researchcatalogue.net/view/3793255/3793256
connected to	(test) venticento students art magazine

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name	subtitle
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name	inroduzione
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name	appunti
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name	punto rosso pollice
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name	personaggio
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name	Monsters in the Mirror: Drawing What Cannot Be Seen
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name	capitolo es volti 1
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name	“Sketches for a scenic anatomy of fear”
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name	The Cult of the Character – From Demo to Theatre
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name	INTERMEDIO 1
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name	METTERE LE SCRITTE
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name	why terror?
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name	artaud_antonin_-_perche_il_teatro_della_crudelta
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name	-elementi laterali 1
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name	scrivi dentro
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name	Illustration
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name	sketch 1
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name	monsters 2
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license	All rights reserved
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name	MOSTRO TESI 3
copyright	CC BY-SA 4.0
license	All rights reserved
usages	picture

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The Theatre of Terror: Anatomy of the Monster, the Character and the Costume through Digital and Scenic Ritual (last edited: 2025)

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