Exposition

Comprovisation: A Journey on How to Shape My Compositions Within a Large Ensemble [Ester F. Mata - 2025-07-20 11:48] (last edited: 2025)

Ester F. Mata
Ester Fernández Mata
open exposition

About this exposition

Situated in the vast space between rigidly notated music and the realm of open improvisation, this research—embodied through a large ensemble for which I have written and conducted music—navigates the intersection of these two worlds in search of a sweet spot between fixed composition and creative spontaneity. Rather than treating the score as a static framework, the composition is approached as a living, evolving entity, where performers, conductor, and technology collaboratively shape the music in real-time. Throughout rehearsals and performances, musicians make interpretive choices, respond to cues from the conductor and their peers, and engage with interactive electronic elements, fostering an ongoing, dynamic dialogue. This process illuminates how variables such as individual interpretation, conductor influence, and rehearsal time can open new avenues for expression, allowing the written score to transcend its traditional boundaries. By embracing this fluidity and exchange, embodied through the term Comprovisation, the composition is continuously transformed, deepening the connection between musicians and the work, and unlocking new possibilities for artistic expression. Through some of my musical pieces as examples we will analyze how this experimental creative process was shaped.
typeresearch exposition
keywordsComposition, improvisation, large ensemble, boundaries, Comprovisation
date07/11/2024
last modified20/07/2025
statusin progress
share statuspublic
copyrightEster Fernandez Mata
licenseCC BY-NC-ND
languageEnglish
urlhttps://www.researchcatalogue.net/view/3800757/3800740


Copyrights

name13 ENSEMBLE
copyrightEster. F. Mata
licenseAll rights reserved
usagesvideo
nameBHAGWATI-excerpt
copyrightSandeep Bhagwati
licenseAll rights reserved
usagespdf
name'Democratic' Cues
copyrightester fernandez mata
licenseAll rights reserved
usagesvideo
nameCues at the right time-body language2
copyrightEster F. Mata
licenseAll rights reserved
usagesvideo
nameviolin-vibes-sample
copyrightEster F. Mata
licenseAll rights reserved
usagesvideo
nameLeave the door open 'Open Score'. Rehearsal excerpt (Feb. 2024)
copyrightEster F. Mata
licenseAll rights reserved
usagesvideo
nameLeave the door open 'Original'. Performance excerpt (May 2024)
copyrightEster F. Mata
licenseAll rights reserved
usagesvideo
nameTRAFFIC is the new Silence open version - Flute-2
copyrightester fernandez mata
licenseAll rights reserved
usagespdf
nameTRAFFIC is the new Silence exam - Flute
copyrightester fernandez mata
licenseAll rights reserved
usagespdf
nameThe Spirit Of The Depths (p.9)
copyrightEster F. Mata
licenseAll rights reserved
usagespdf
nameLeave the door open (Open score)
copyrightEster F. Mata
licenseAll rights reserved
usagespdf
nameLEAVE THE DOOR OPEN -score
copyrightEster F. Mata
licenseAll rights reserved
usagespdf
nameScreenshot 2025-02-22 113858
copyrightEster F. Mata
licenseAll rights reserved
usagesslideshow
nameScreenshot 2025-02-22 112426
copyrightEster F. Mata
licenseAll rights reserved
usagesslideshow
nameScreenshot 2025-02-22 113539
copyrightEster F. Mata
licenseAll rights reserved
usagesslideshow
nameSample cue in The spirit
copyrightEster F. Mata
licenseAll rights reserved
usagesaudio
nameone cue- one person
copyrightEster F. Mata
licenseAll rights reserved
usagesaudio
nameThe Great Learning-19
copyrightHorace Cardew
licenseAll rights reserved
usagespdf

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