Exposition

Sonic Geographies of Hope: How can Song become an Act of Restoration for a Damaged Planet? (last edited: 2025)

Angela Valenzuela (Loica)
Angela Valenzuela Navarrete

About this exposition

I dedicate this work to Robin Wall Kimmerer’s call for acts of restoration for our damaged planet. I choose song composition and performance as a way to find pathways for personal and collective restoration. Through the methods of artistic research I write Songs inspired by my experience of ecological grief, academic reading, interviews to song composers, and journaling. As a contribution from my work, I present a new compositional methodology, Sonic Geographies of Hope. This methodology calls for song composers to write songs grounded in personal and collective grief of our damaged planet. I suggest that this type of songs can become an act of restoration and create collective resonance for more hopeful ways of existing and experiencing the world. This methodology is heavily influenced by the work of A. Hazelwood and her methodology Geographies of Hope in Praxis. While it is inspired by it, it focuses mainly on emotional geographies. This work represents a starting point to explore Song methodologies to nurture immaterial geographies for concrete, structural ecological restoration. It is an exploration to find ways to restore yourself to continue to fight for the dignity of the places, more-than human life and people we love.
typeresearch exposition
keywordshope, active hope, song, composition, performance, geographies of hope, sonic geographies of hope, environmental and climate grief, act of restoration, sonic space, anthropocene, damaged planet., Robin Wall Kimmerer
date24/07/2025
last modified08/08/2025
statusin progress
share statuspublic
affiliationGlobal Music Department, Sibelius Academy, University of the Arts Helsinki
copyrightAngela Francisca Valenzuela Navarrete
licenseCC BY-NC-ND
languageEnglish
urlhttps://www.researchcatalogue.net/view/3804599/3804600


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