565894 |
video guide throughout the performance |
José Luís Lima Silva |
All rights reserved |
572529 |
1.3 evolution and alterations of the concept (logistics, pieces and meanings) (3) |
José |
All rights reserved |
573731 |
IMG_3168 |
@Ricardo Almeida |
All rights reserved |
574484 |
Background |
afizismail |
All rights reserved |
574486 |
Black-Background-DX58 |
background |
All rights reserved |
574487 |
black |
bl |
All rights reserved |
574825 |
Formato Cy(ir)cle(s) |
José Luís Lima Silva |
All rights reserved |
578168 |
Humanizing performances meaning |
José Luís Lima Silva |
All rights reserved |
578183 |
legend humanizing meaning |
José Luís Lima Silva |
All rights reserved |
578187 |
IMG_7080 |
José Luís Lima Silva |
All rights reserved |
578192 |
IMG_7080 |
José Luís Lima Silva |
All rights reserved |
578204 |
"Esfera" - design and logistic approach |
José Luís Lima Silva |
All rights reserved |
578218 |
disposition strategie - programs |
José Luís Lima Silva |
All rights reserved |
578305 |
vac - Full Scorewnotes |
Cindy Giron |
All rights reserved |
578500 |
gender text-score |
Mári Mako |
All rights reserved |
578517 |
1 first squeme of the concept, his birth |
José Luís Lima Silva |
All rights reserved |
578524 |
1.1 evolution and alterations of the concept (logistics, pieces and meanings) (2) |
José Luís Lima Silva |
All rights reserved |
578530 |
1.2 evolution and alterations of the concept (logistics, pieces and meanings) (3) |
José Luís Lima Silva |
All rights reserved |
578534 |
1.3 evolution and alterations of the concept (logistics, pieces and meanings) |
José Luís Lima Silva |
All rights reserved |
578540 |
1.4 Final stage plan |
José Luís Lima Silva |
All rights reserved |
578549 |
Parallel_Worlds_score |
Sól Ey |
All rights reserved |
578558 |
Parallel Worlds - set up and score |
José Luís Lima Silva |
All rights reserved |
578568 |
zyklus set-up |
Antoine Josselin |
All rights reserved |
578572 |
Zyklus score example |
http://stockhausenspace.blogspot.com/2014/09/opus-9-zyklus.html |
All rights reserved |
578589 |
Temazcal graphical score example |
J. Alvarez |
All rights reserved |
578679 |
Temazcal my own score |
José Luís Lima Silva |
All rights reserved |
578695 |
24 loops set up score |
P. Jodlowski |
All rights reserved |
578704 |
24 loops stations |
José Luís Lima Silva/ Antoine Josselin |
All rights reserved |
578717 |
5 24 Loops - creation process of our version |
José Luís Lima Silva/ Antoine Josselin |
All rights reserved |
578722 |
24 Loops - creation process of our version |
José Luís Lima Silva/ Antoine Josselin |
All rights reserved |
578723 |
24 Loops - creation process of our version |
José Luís Lima Silva/ Antoine Josselin |
All rights reserved |
578728 |
24 Loops - creation process of our version |
José Luís Lima Silva/ Antoine Josselin |
All rights reserved |
579089 |
Psapha - first set up |
José Luís Lima Silva |
All rights reserved |
579093 |
Psapha - final set up (alterations linked to the necessities of the piece and reference to the concept) |
José Luís Lima Silva |
All rights reserved |
579097 |
psapha nomeclature |
José Luís Lima Silva |
All rights reserved |
579101 |
score example psapha |
José Luís Lima Silva |
All rights reserved |
579104 |
score example psapha |
José Luís Lima Silva |
All rights reserved |
579116 |
maxi music |
José Luís Lima Silva |
All rights reserved |
580950 |
First approach - gender opportunity |
José Luís Lima Silva |
All rights reserved |
580960 |
Huid - a confortable and funcional way of playing the piece for 3 with 2 performers |
José Luís Lima Silva |
All rights reserved |
580965 |
Huid - a estetical revelation |
José Luís Lima Silva |
All rights reserved |
580970 |
Huid - first aproach and continuous arrangement (gamelan opportunity) |
José Luís Lima Silva |
All rights reserved |
580980 |
Recital poster |
Sara Lima/ Ricardo Almeida |
All rights reserved |
580986 |
Program notes |
José Luís Lima Silva/ Sara Lima/ Ricardo Almeida |
All rights reserved |
580988 |
Program notes 2 |
José Luís Lima Silva/ Sara Lima/ Ricardo Almeida |
All rights reserved |
581109 |
What differences did you notice |
José Luís Lima Silva |
All rights reserved |
581115 |
How did you experience |
José Luís Lima Silva |
All rights reserved |
581120 |
What was your |
José Luís Lima Silva |
All rights reserved |
581125 |
How was your experience |
José Luís Lima Silva |
All rights reserved |
581132 |
How intensely did you experience the music |
José Luís Lima Silva |
All rights reserved |
581141 |
Intensity of how the audience experienced the music |
José Luís Lima Silva |
All rights reserved |
581146 |
What disturbed you |
José Luís Lima Silva |
All rights reserved |
581150 |
There is some advice |
José Luís Lima Silva |
All rights reserved |
581166 |
Aemil Peters meeting |
Aemil Peters/ José Silva |
All rights reserved |
581181 |
Kaan feedback |
Kaan Yazici |
All rights reserved |
581198 |
Kaan feedback |
Kaan Yazici |
All rights reserved |
581203 |
Kaan feedback audio mp3 |
Kaan Yazici |
All rights reserved |
581242 |
Omer feedback |
Omer Eilam |
All rights reserved |
581247 |
omer feedback mp3 |
Omer Eilam |
All rights reserved |
581405 |
Esfera |
José Luís Lima Silva/ Sílvia Lima |
All rights reserved |
581547 |
Photos Esfera - set-up and logístic |
Sílvia Lima/ Sara Lima |
All rights reserved |
581550 |
Photos Esfera - set-up and logístic |
Sílvia Lima/ Sara Lima |
All rights reserved |
581552 |
Photos Esfera - set-up and logístic |
Sílvia Lima/ Sara Lima |
All rights reserved |
581554 |
Photos Esfera - set-up and logístic |
Sílvia Lima/ Sara Lima |
All rights reserved |
581557 |
Photos Esfera - set-up and logístic |
Sílvia Lima/ Sara Lima |
All rights reserved |
581582 |
24 Loops rehearsals |
José Luís Lima Silva/ Antoine Josselin |
All rights reserved |
581599 |
Sketches of some possibilities to solve some logistical problems (meeting with sound engenier) |
Antoine Josselin |
All rights reserved |
581600 |
Sketches of some possibilities to solve some logistical problems (meeting with sound engenier) |
Antoine Josselin |
All rights reserved |
581601 |
Sketches of some possibilities to solve some logistical problems (meeting with sound engenier) |
Antoine Josselin |
All rights reserved |
581605 |
lights and stage plan |
Antoine Josselin |
All rights reserved |
581613 |
Information |
José Luís Lima Silva |
All rights reserved |
581620 |
Side door |
José Luís Lima Silva |
All rights reserved |
581629 |
setting up |
José Luís Lima Silva |
All rights reserved |
581640 |
real design |
José Luís Lima Silva |
All rights reserved |
581658 |
Survey - final version |
José Luís Lima Silva |
All rights reserved |
581667 |
Surveys data - people feedback |
José Luís Lima Silva |
All rights reserved |
581692 |
surveys coding |
José Luís Lima Silva |
All rights reserved |
581824 |
Coding tables cover |
Coding tables cover |
All rights reserved |
584210 |
Antoine experience |
Antoine Josselin |
All rights reserved |
586237 |
Humanizing Performances - FINAL VERSION |
José Luís Lima Silva |
All rights reserved |
587961 |
Humanizing Performances - FINALLELAST VERSION |
José Luís Lima Silva |
All rights reserved |