HANDLE WITH CARE
(2024)
author(s): Athina Eleftheriou
published in: Royal Academy of Art, The Hague
Thesis of the Royal Academy of Art, The Hague, 2023
BA Textile and Fashion Design
The aim of this thesis is to explore how setting up interaction between personal memories and the materiality of ordinary used objects contribute in new perspectives within the fashion context.
Research-Creation about and with Food: Diffraction, Pluralism, and Knowing
(2022)
author(s): David Szanto, Geneviève Sicotte
published in: Journal for Artistic Research
A hybrid approach for artistic-academic investigation, research-creation has proven effective in addressing complex socio-technical issues while usefully undoing the dualities that emerge within more conventional research practice. In the realm of food, this is particularly relevant, given that the knowledges that constitute food culture and food systems are pluralistic. Moreover, food embeds some of our most critical contemporary challenges, such as hunger, migration, trade, climate change, and justice. Methods that address the subjective and relational nature of food, such as those of research-creation, are therefore critical. This exposition presents two food-centered research-creation projects, created by the two co-authors, each of which aimed at three objectives: (a) the pluralization of methods, knowledge, and outputs; (b) collaboration in meaning-making, reflection, and feedback; and (c) ongoing epistemic and personal transformation. Geneviève Sicotte’s Signes de vie / Vital Signs is a digital, multimedia exhibition, largely presented through verbal, visual, and auditory content. David Szanto’s The Gastronome in You is a series of three performances about death, life, and the microbiome, using the materiality of a sourdough starter to activate the gustatory and haptic senses. By bringing these two projects into dialogue with each other, and through an experimental, “diffractive analysis” process, we present ways in which research-creation can help illuminate new forms of knowledge that engage with the distinct challenges and opportunities within food studies and for the future of food-and-human relations.
Pikatreffit
(2022)
author(s): Christina Stadlbauer
published in: Research Catalogue
A participatory performance proposes intimate encounters with floral life forms. Potentially unexpected effects could be observed. Work in collaboration with The Hot Box.
Soft to the Touch: Performance, Vulnerability, and Entanglement in the Time of Covid
(2021)
author(s): Jennifer Torrence
published in: VIS - Nordic Journal for Artistic Research
What is the nature of human touch and human contact in contemporary music performance, both in general and in the context of the COVID-19 pandemic? In a time when bodies must be kept at several meters distance, what comes of works which explicitly call for closeness, physical contact, and sharing? How might these works be interpreted differently in light of the COVID-19 pandemic? Percussionist and performer Jennifer Torrence reflects on the impact of the pandemic on her artistic practice and on her research as part of the project entitled Performing Precarity, which seeks to explore the inherent risks in performance when musicians and audiences are entangled in codependent structures. In light of COVID-19, this exposition attempts to unfold and trace modes of vulnerability in contemporary music performance—from human contact via eye contact and physical touch, to the precarious negotiation of shared space—and to reflect on how such encounters might breed new understandings and knowledge.
Voicelanding - Exploring the scenographic potential of acoustic sound in site-sensitive performance
(2021)
author(s): Mareike Nele Dobewall
published in: Stockholm University of the Arts (SKH)
This practical artistic research project explores how the performance of acoustic sound in dialogue with site can create a sonic scenography, experienced by an audience from within the sonic structures.
Six art projects were carried out in the context of this research. Their form varies due to the site-sensitive approach that is employed: the space and the participating musicians are both the source and the frame for the resulting spatial sound performances.
During workshops the collaborating musicians are introduced to site-sensitive methods. They learn full-body listening, spatial sounding, and space-care. The musicians learn to co-create with the space. In a collaborative process, spatial sound compositions are created using the site-specific sonic material that is elicited from the dialogue between the performers and the space. The relation to the audience plays an important role in the sharing of the performance space and the experience of the sonic scenographies. Therefore, active audience encounter is considered during the creative process towards the performance and it is further explored during each performance.
As sound is invisible and ephemeral it is a vulnerable material to engage with when creating scenographies. In this research its instability has revealed itself as an indispensable quality of a scenography that aims to connect the elements of a shared space and make their relations perceivable.
There is a tendency to make ‘reliable’ material scenographies and to sustain spatial sound through audio systems while attempting to overcome the challenges a site brings to performance. This approach to performance, scenography, and spatial sound composition, however, limits the relation between acoustic sound and site. In my sonic scenographies the performers are dependent on the dialogue with the space in order to create sonic structures that can be experienced by an audience. The attention needed for this collaboration is space-care. It includes care for all entities in the space, and especially the audience. The ephemeral quality of acoustic sound creates an active sonic scenography that performs together with the musicians, and engages multimodal listening.
The resulting spatial sound performance includes the placement and movement of sonic expressions that are specific for each instrument-site relation. In the created performance, as the audience can ‘roam through’ it, they can experience a sonic scenography that unfolds around them. In the interaction of performers and audience in these shared spaces (architectural space and sonic space) a social space can develop that allows for an ephemeral community to emerge.
Maps, space and body: connecting mental representations of space to the production of space
(2019)
author(s): Anna Kholina
published in: RUUKKU - Studies in Artistic Research
This exposition investigates the relationship between maps, space and body. It looks at mental maps — images of the environment that we hold in our memory. It argues that a map we store in our minds is not merely a functional device for navigation, but a system of signs, values and meanings that allow us to re-imagine the space, appropriate it and develop new social practices.
The study places mental images inside Lefebvre's triad of social space (Lefebvre, 1991). It suggests that mental images are a manifestation of the third component of the triad, the lived space, which includes alternative imaginations, symbolic values and appropriations of space. The exposition explores this claim via a dataset of 37 mental maps created by Masters-level students at Aalto University in Finland in November 2018. By qualitatively analysing the contents and the morphology of the hand-drawn maps, it traces how the lived space is both passively perceived and actively re-imagined.
The main contribution of the exposition is bringing the imagined space to the attention of urban planning professionals. It suggests that the distorted, inconsistent and idiosyncratic mental images are more than a reduced schema of a physical environment. They support alternative re-imagining and catalyse the process of creative appropriation, enabling bottom-up urban transformation.
An Articulating and Perceiving Body (in Urban Space)
(last edited: 2020)
author(s): Ajauksia
This exposition is in progress and its share status is: visible to all.
Ajauksia group invites people to join an excursion of sensory bodily actions in an urban environment. In the workshop we visit places that we are not likely to enter otherwise. We will explore urban nature, sense our surroundings and examine different ways to experience the city. The core ideas of our practice are shared responsibility and respect with space for diversity and dissidence.
We ask: What is bodily energy and how is it generated? What does the encountering between two or more subjects or between subject and object produce? What is the importance of corporeality and embodiment? What will happen when the spoken language is excluded, and what language does the body use in these situations?
Sense Exercises / Aistiharjoituksia
(last edited: 2019)
author(s): Ajauksia group
This exposition is in progress and its share status is: visible to all.
The Working Diary of Sense Excercises
Thesis of the Royal Academy of Art, The Hague, 2023 BA Textile and Fashion Design The aim of this thesis is to explore how setting up interaction between personal memories and the materiality of ordinary used objects contribute in new perspectives within the fashion context.open exposition comments (0)
A participatory performance proposes intimate encounters with floral life forms. Potentially unexpected effects could be observed. Work in collaboration with The Hot Box.open exposition comments (0)
Work in progressopen exposition comments (0)