Exposition

The Failed Assemblage of Batroun Concrète: A Biopsychosocial Approach to Post-acousmatic Composition (2019)

Seth Ayyaz

About this exposition

Batroun Concrète 2.1 - 2.9 is a sound work by the composer Seth Ayyaz. Comprised of a score for live performances interleaved with electroacoustic parts, it emerged from a residency at the Batroun Projects art space in the north of Lebanon. The performance intended for 2012 was disrupted by the early cross-border resonances of the Syrian civil war. While it failed to materialize in a final form, its conceptual design and theoretical underpinnings are relevant to thinking the complicities of composition with its material conditions, specifically regarding site-specificity, live improvisation, field recordings, and studio-based practice. The work investigated how body-related cognitive scripts might speculatively structure sonic thinking. Wilfred Sellars’ philosophical distinction between contrasting “manifest” and “scientific” images of humankind, as discussed by thinkers such as Robin Mackay and Ray Brassier, is applied here to sonic discourse. The proposed “biopsychosocial” image rejects notions of the givenness of a human listener-composer subject in favor of a de-subjectified symbiont contingently implicated in complex systems dynamics. This is also illustrated in relation to Keith Rowe’s free improvisation practices. The paper discusses how Batroun Concrète 2.1 - 2.9 leverages the notion of assemblage as compositional method; how materiality both informs and develops the composer’s biopsychosocial approach to post-acousmatic composition; and introduces key concepts relevant to issues at stake in the work: post-acousmatic, not-knowing listening stance, reflexive-reflective, interiority-exteriority, and reception-interpretation-action helix. By harnessing a specific assemblage of concepts, subpersonal and transpersonal processes, agentive objects, and acoustics found at the derelict site, the graphic score composed open-ended non-determinate structural couplings between elements that investigated the material specificities of the site. www.sethayyaz.com
typeresearch exposition
date15/07/2019
published15/07/2019
last modified15/07/2019
statuspublished
share statusprivate
licenseAll rights reserved
urlhttps://www.researchcatalogue.net/view/656703/656704
published inJournal of Sonic Studies
portal issue18. Issue 18


Simple Media

id name copyright license
656710 JSS Banner JSS All rights reserved
656718 Figure01 Batroun Project Space Ayyaz All rights reserved
656741 Figure02 Batroun Concrète Assemblage Ayyaz All rights reserved
656815 Batroun Concrète 2.0 Score Ayyaz All rights reserved
656837 BC1x Ayyaz All rights reserved
656840 BC2x Ayyaz All rights reserved
656842 BC3x Ayyaz All rights reserved
656844 BC4x Ayyaz All rights reserved
656847 BC5x Ayyaz All rights reserved
656850 BC6x Ayyaz All rights reserved
656854 BC7x Ayyaz All rights reserved
656857 BC8x Ayyaz All rights reserved
656861 BC9x Ayyaz All rights reserved
656863 BC10 Ayyaz All rights reserved
656866 BC11 Ayyaz All rights reserved
656868 BC12 Ayyaz All rights reserved
656871 BC13 Ayyaz All rights reserved
656874 BC14 Ayyaz All rights reserved
656885 BC15 Ayyaz All rights reserved
656898 Batroun Concrète | 2.1 Ayyaz All rights reserved
656901 Batroun Concrète | 2.3 Ayyaz All rights reserved
656904 Batroun Concrète | 2.5 Ayyaz All rights reserved
656908 Batroun Concrète | 2.7 Ayyaz All rights reserved
656911 Batroun Concrète | 2.9 Ayyaz All rights reserved

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