Giselle Hinterholz is a visual artist and researcher whose work investigates memory, trauma, and fragmented identity through the symbolic presence of the body. Her practice combines photography, analogue processes, artificial intelligence, and textile installations, evoking poetic resistance and emotional depth. She has exhibited in Portugal, France, and Brazil, and was a finalist of Blurring the Lines (Paris, 2019). Her current projects - Nascida Sobre a Luz Artificial, What Is This Image Doing Here?, and Alteridade - explore how images, archives, and algorithms intersect in processes of artificial memory, shared authorship, and reconfigured perception. She is currently pursuing an MA in Photography at Universidade Lusófona de Humanidades e Tecnologias, Lisbon, where she develops her dissertation and artistic research on the epistemology of error and the fragile trust in images.