Deauthorizing                                                      i

           Claim no movement to be yours.                                                          

                                   Torn movement to b 


                                                                                t

               s

Filtering

      Become a search engine.

             Choose keywords.

                                                           Move the search result.

Fragmenting

          How do you fr  agm e nt        ?

KOSMOSOMSOK

ARTWORKS ORBIT

ARTWORKS ORBIT

Trespassing

         Plagiarize every mover        you know.


                      Reassemble         those movements.

 

SATELLITE

Skimming

          Move less.

               Touch vast amount of   various      textualities of movement.

                                     Move         superficially. 

OUMUAMUA

Filming

      Embody all visual          

                                                              you perceive.

Pecking

    Imagine how many ways you            could move. 

                         Peck every             now    and    then one movement. 

                                                Move incoherently.

Imposing

      Make movement

                                                             You are in charge


                                           subservient.



                                

 (NEW) MOON

EXOXƎ

Let's imagine: the whole body is an eye.

                     

Blink the body-eye.

Direct the body-eye gaze to the center.

Direct the body-eye gaze to peripheral.


Move.  



How to read something?

When you look at something, bring in all experiences you have about the thing you are looking at. Combine it with all what you know about that thing. Then imagine.


Take your time.


Move.

In dialogue with:

Byrne-Smith, Dan. 2020. ‘Introduction: Sci-Fi in Science Fiction’ in Science Fiction: Documents of Contemporary Art, ed. by Dan Byrne-Smith (Whitechapel Gallery and MIT Press), pp. 12–19

Cervera, Felipe. 2016. ‘Astroaesthetics: Performance and the Rise of Interplanetary Culture’, Theatre Research International, 41, pp. 258–75, doi:10.1017/S0307883316000353

Dickens, Peter, and James Ormrod. 2016. ‘The Production of Outer Space’ in The Palgrave Handbook of Society, Culture and Outer Space, ed. by Peter Dickens and James Ormrod (Palgrave Macmillan), pp. 1–43

Foster, Susan Leigh. 2011. Choreographing Empathy - Kinesthesia in Performance (Routledge)

Hayles, Katherine N. 2010. ‘How We Read: Close, Hyper, Machine’, ADE Bulletin, 150, pp. 62–79

Huopaniemi, Otso. 2018. ‘Algorithmic Adaptations: Contemporary View on Writing and Technology’, Acta Scenica 52, Theatre Academy of the University of the Arts Helsinki, <https://actascenica.teak.fi/huopaniemi-otso/> [accessed 5 August 2025]

Kellokumpu, Simo. 2019. ‘Choreography as Reading Practice’ (University of the Arts Helsinki), <https://www.researchcatalogue.net/view/437088/437089> [accessed 5 August 2025]

—— 2020. ‘Towards Astroembodied Choreostructions: Deviating From Choreographing To Choreoreading’,Dance Articulated, Special Issue: Choreography Now, 6, pp. 12–24, doi:10.5324/da.v6i1.3616

Laurberg, M, and others. 2018. THE MOON, From Inner Worlds to Outer Space (Louisiana Museum of Modern Art, Denmark)

Leon, Anna. 2022. Expanded Choreographies — Choreographic Histories: Trans-Historical Perspectives Beyond Dance and Human Bodies in Motion (Transcript)

Liu, Ziming. 2022. ‘Reading in the Age of Digital Distraction’, Journal of Documentation, 78, pp. 1201–12, doi:10.1108/JD-07-2021-0130

Mangen, Anne, and Antti Pirhonen. 2022. ‘Reading, Writing, Technology, and Embodiment’ in Movement Matters: How Embodied Cognition Informs Teaching and Learning, ed. by Sheila L. Macrine and Jennifer M. B. Fugate (MIT Press), pp. 103–17

Messeri, Lisa. 2016. Placing Outer Space: An Earthly Ethnography of Other Worlds (Duke University Press), doi:10.1215/9780822373919

Monni, Kirsi. 2024. ‘Rethinking Conceptual Parameters of Choreography (in Social Spaces) — Actualization of Intensities in Discursive Fields’, Arts, 13.2, p. 59, doi.org/10.3390/arts13020059

Monni, Kirsi, and Victoria Pérez Royo. 2015. ‘Composition: Relatedness and collective
learning environments’ in Practicing Composition: Making Practice Texts, Dialogues and Documents 2011–2013, ed. by Kirsi Monni and Ric Allsopp (Kinesis 6 and University of the Arts Helsinki), <https://taju.uniarts.fi/server/api/core/bitstreams/463b808c-39f8-4024-91fb-27fce1495686/content>[accessed 5 August 2025]

Nail, Thomas. 2018a. Being and Motion (Oxford University Press)

——2018b. ‘Ontology of Motion’, Qui Parle, 27.1, pp. 47–76, doi:10.1215/10418385-4382983

Nancy, Jean-Luc, and Aurélien Barrau. 2014. ‘Of Struction’ in What’s These Worlds Coming To?, trans. by Travis Holloway and Flor Méchain (Fordham University Press), pp. 42–58

NASA. 2023. ‘Space Debris’, NASA Headquarters Library,<https://www.nasa.gov/headquarters/library/find/bibliographies/space-debris/> [accessed 5 August 2025]

——2024. ‘Oumuamua’, NASA Science: Solar System Exploration, <https://science.nasa.gov/solar-system/comets/oumuamua/> [accessed 5 August 2025]

——2025. ‘James Webb Space Telescope’, NASA Science: Mission Webb,<https://science.nasa.gov/mission/webb/> [accessed 5 August 2025]

Rouhiainen, Leena, and Kirsi Heimonen. 2024. ‘Motifs and Insights: Textual Choreography, Dance Studies and Local Conditions in Finland’, in Writing Choreography: Textualities of and beyond Dance, ed. by Leena Rouhiainen and others (Routledge), doi:10.4324/9781003397427

Røed, Ellen Johanne. 2014. ‘Skyvelære: Critical Reflection on Artistic Results of a Fellowship Project in Artistic Research’, Norwegian Artistic Research Fellowship Programme, Bergen Academy of Art and Design,<https://monoskop.org/log/?p=12514> [accessed 5 August 2025]

Triscott, Nicola. 2016. ‘Critical Art and Outer Space: A Curatorial Inquiry into Space as Global Commons’, Conference Paper (presented at the Association of American Geographers, San Francisco), 29 March to 2 April,<https://westminsterresearch.westminster.ac.uk/download/cbb3f32394f4bcf305f83908d30388f5f89d7645926b4a2e51753b5ee2ead3ce/180168/CriticalArtandOuterSpace_Triscott.pdf> [accessed 5 August 2025]

Unmüssig, Jana. 2023. ‘Proposition for the Eventual Mights of Teaching Choreography: Choreography Pedagogy in the Context of MA Choreography Studies’, Nordic Journal of Dance, 14.2, pp. 5–15, doi:10.2478/njd-2023-0015

Wolf, Maryanne. 2019. Reader, Come Home: The Reading Brain in a Digital World (HarperCollins)

Wood, Catherine. 2018. Performance in Contemporary Art (Tate Publishing)

Wynne-Jones, Victoria. 2021. ‘Articulating Alternatives: val smith’s Queer Choreographies’ in Choreographing Intersubjectivity in Performance Art (Palgrave Macmillan), doi:10.1007/978-3-030-40585-4_6