This co-created emblem of the project, a flying creature that gathers sounds, became an imaginative symbol of the Sonic Beings Laboratory’s inquiry into listening, sound-making, and artistic research. It belongs to a fabulized world we created where everything is imaginable: from beat-making aliens attacking Earth, to some of us suddenly becoming K-pop stars overnight. This creature is highly sensitive to the multitude of sounding, it flies over this world and collects every sound.

Meeting (of) Sonic Beings: Children as Artistic Researchers (AR Pilot)


What questions emerge when children and adults engage in artistic research together, exploring sound, identity, and creativity as co-researchers? In this AR pilot project, a fourth-grade class at a Viennese elementary school, Campus Landstraße, together with three adult researchers, collaboratively shape an open-ended inquiry into the sonic.


This exploratory phase should lay the groundwork for a larger artistic research project. It focuses on how children and adults collaboratively shape the direction of inquiry: What questions related to sound matter to us? How do we, together, engage with sound as material, metaphor, and method? And how do the modes of questioning transform our understanding of what artistic research can become?


Guided by principles of Participatory Action Research and entangled sound-making, this pilot creates an open, flexible space, the Sonic Beings Laboratory, where research practices are not delivered or taught, but discovered in collaboration. It is a space where children and adults co-develop questions, sub-projects, and methods through relational and creative engagement.


As adult researchers and artists, we were not external observers but co-learners—creating alongside the children, responding to their sonic ideas, and reflecting on our own evolving practices. Our field notes, sketches, and interventions were not supplementary; they were integral to the research process, allowing us to trace how the project challenged our assumptions and shifted our ways of listening and making.


This pilot is not about finding answers. It is about staying with the questions that emerge through our shared inquiry, attending to how our research practice unfolds, and how all participants are changed through the process.

All participants under the age of 18 are referred to by self-chosen artist pseudonyms — a decision made together between all participants within this project to protect privacy while affirming agency, authorship, and presence within the artistic research process.

Our work developed over 13 laboratory sessions between October 2024 and June 2025. These sessions created space for listening, making, and questioning. Rather than presenting the laboratory sessions as a straight timeline, we chose to represent them as a spiral. This reflects how our process moved in cycles, ideas came back, shifted, and sometimes started again. The spiral also points to how the work doesn’t simply stop after the last laboratory. Things continue, even if the formal sessions are over.

The laboratories took many forms. Throughout these sessions, different approaches to listening and sound-making emerged, sometimes planned, often improvised, and shaped by the collective interests of the participants. What follows is a closer look at the methods we worked with and the sub-projects that emerged.