This interview (in German) with Hanns Holger Rutz was conducted by Florence von der Weth for her radio programme ‘Das geheime Zimmerarchiv’, broadcast on Radio Lotte Weimar on 13-Dec-2020.
{kind: caption, function: overview}
| 1'50" | AI vs machine learning, as an artistic tool |
| 6'15" | Style modelling/transfer; creativity |
| 9'01" | From pitch modelling to electroacoustic parameters; artistic intention; modelling artistic process; problem of describing algorithmic decisions |
| 13'02" | Algorithms vs data; composing and experimenting with algorithms, without big data; from reified algorithms to the algorithmic, as process and retroaction; agential investments in computers |
| 18'50" | Composing with computers vs algorithmic composition; decision-making, iterativity; automatic composition and curation |
| 22'46" | Muzak; design and automation; human-machine complementarity |
| 24'28" | Contingency and environmental exchange; networking; computation vs mechanical instrument |
| 26'03" | ‘Writing (about) Writing Machines’; text-based programming, live coding; writing and scripture; literacy; complementary forms in artistic research; discrete/analog |
| 32'03" | Comprehensibility; experience of the audience; construction of aesthetic experience; open ended |
| 39'35" | vs dramaturgy, narration |
| 40'29" | electroacoustic piece: Légende (Studie) |
| 45'01" | Simultaneity; mutual influence; synthesis of sense(s); conjunctions; performing coming-together without predefined design |
| 50'58" | Conjunctions in algorithmic work, experiment |
| 51'30" | Outro |
| 52'40" | electroacoustic piece: Grenzwerte |
{kind: resume, origin: spoken}