The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the Society for Artistic Research. The RC is free to use for artists and researchers. It serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be an open space for experimentation and exchange.

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SWEAT - YoNoSudoBrillo (2025) Diana Ferro
SWEAT - YoNoSudoBrillo Two weeks workshop held in Benidorm, Spain, in August 2024. In the context of EASA, European Architecture Students Assembly 2024 event. Tutored by Diana Ferro and Angelo Ciccaglione. πΌπ“‰β€™π“ˆ 𝒢𝓁𝓁 π’Άπ’·π‘œπ“Šπ“‰ 𝑒𝓂𝒷𝓇𝒢𝒸𝒾𝓃𝑔 π“‡π‘’π“π’Άπ“π’Άπ“‰π’Ύπ‘œπ“ƒ. 𝐿𝑒𝓉'π“ˆ 𝑒𝓂𝒷𝒢𝓇𝓀 π‘œπ“ƒ π“‰π’½π’Ύπ“ˆ π’Ώπ‘œπ“Šπ“‡π“ƒπ‘’π“Ž π‘œπ’» π“Œπ‘’π“π“π“ƒπ‘’π“ˆπ“ˆ π“‰π‘œπ‘”π‘’π“‰π’½π‘’π“‡. In a sauna, people meet strangers and exchange stories while absorbing heat being naked and sweaty. In this workshop we brought the sauna to a step further: we absorbed heat, stories, gestures, words, objects, skills, dreams and sweat them out to other people, re-enacting what we have learned. Also naked, why not. We learnt how to live, how to breathe, how to make a kebab, how to embody old wisdom, how to tie shoes the proper way. All you need is a fan, a towel and a body. A kebab stick, a drink, some snackies. Participants developed a deeper perspective on what it means to operate within a complex identity such as the city and gained skills to open their own kebab shop.
open exposition
reticule (2025) Hanns Holger Rutz
A new filigrane sound object (or series of objects) in the making, w.i.p.
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Improv_Loops: Ambient Music as Everyday Practice (2025) Juho Aaro Aapeli Tuomainen
Improvised ambient music making is a multi-dimensional process where the musical and the artistical skills are implemented into a dance between the mind of the performer and the creative use of technology. Both the mind and the machine together create a symbiotic relationship which over a course of a longer improvisational process produces a calming effect on the body and the mind, a sensation which in this artistic research is referred to as ”the slow buzz”. Over an 18-month period from June 2023 to December 2024 I practiced the creation of improvised ambient music by keeping a routine which included mechanical guitar warm ups, a meditation session and a recording session for an improvised ambient music track. This routine laid a solid foundation for my artistic work, generating all in all 360 improvised ambient tracks, which were all listened and analysed along the way. All the know-how and the musical style that emerged from this routine eventually led to the creation of a continuous, flowing form of improvisational live-ambient music. I then rehearsed, filmed, and analysed the resulting ambient music 40 times during the autumn of 2024 in order to gain insight into the mindstates that are affiliated with the creation of improvised ambient music. The final outcome of this artistic research process was then to be presented in the form of a solo concert during the Global Spring Festival, on the 15th of May 2025.
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recent publications <>

Spinozist Mode of Symptomatics (2025) Tolga Theo Yalur
Psychoanalysis was meant to be a revolution in the centuries after B. de Spinoza’s work. What is interesting in his view for the psychoanalytic theory is how the human experience of the unusual feeling and joy could be approached. The irruption of these feelings is closely connected to symptomatics in psychoanalysis. Symptomatics of the unusual in language and discursive representation in the analytic experience of, say, Sigmund Freud’s couch was a mode of materialization of the feeling. Imagined from the outside world, the characteristic of repression is always an effect of finding an expression.
open exposition
La Religion d’Économie Mondiale (2025) Tolga Theo Yalur
Les forces religieuses, politiques, culturelles et Γ©conomiques influencent le monde moderne. Il s’agit de conflits et d’antagonies bien rΓ©els, idΓ©ologiquement chargΓ©s, qui dΓ©chirent le monde dans un contexte de formes virulentes de polarisation idΓ©ologique, de nationalisme de droite et de fondamentalisme religieux.
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Borderline Physical: Digital Twintrine (2025) Patrik Lechner
As part of the 'Borderline Physical' PHD Project and the "Spirits in Complexity" PEEK Project, this iteration investigates the auditory landscape of a specific fridge in a specific cafΓ© in Vienna, Austria. The fridge is captured into a physically informed model, recreating its surprisingly complex sound emissions. This model is presented as an installation on-site, next to the fridge whose current working status is unknown (it was broken recently). At the SAR the model is treated as a musical instrument and freely used in complete disregard of physical constraints, leading up to a musical performance that explores a different form of artistic exploration of our sonic environment.
open exposition

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