The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the
Society for Artistic Research. The RC is free to use for artists and
researchers. It
serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be
an open space for experimentation and exchange.
recent activities <>
writing (in) resonances
(2025)
Delphine Chapuis Schmitz
This exposition presents a format designed for experiencing writing as a relational process in a workshop setting.
It is based on implementations that have taken place in different contexts in the fields of higher education and research in the arts, and is intended as an invitation to further adopt and adapt the format in transversal settings.
RC Visual Map / Screenshot of the RC
(2025)
Casper Schipper
A visual map of the RC. Hover over a screenshot to see the title and author. If you click you will see a gallery with a screenshot of each of its weaves. There is a form which allows you to filter based on title, author, keywords, abstract and date.
For an exposition to appear in this map, it needs to be public (share -> public or published). The map is updated once every 24 hours.
There is an alternative map that allows you to browse all research by keyword.
recent publications <>
Dokumentasjon fra midtveisevaluering
(2025)
Sigrid Espelien
Fotodokumentasjon av midtveisevalueringen og ROM studio i forkant. Utdrag fra spørsmålsrunden i midtveisevalueringen.
Samtale med Kristian Balke og Stine Marie Olaussen fra SKANSKA
(2025)
Sigrid Espelien
Utdrag fra samtale med Kristian Balke og Stine Marie Olaussen fra SKANSKA på befaring av Østre Aker vei 25.
Portico in the Park
(2025)
Tolga Theo Yalur
This article concerns “absolute void” as an impossible notion to describe via a reductionist approach, whose irreducible relativity emerges from efforts to imagine it – from the CERN laboratories to the artworks at MoMA. Science teaches correlations among things, not things themselves. For this, with photography and artworks, the article reflects in detail on objectivity, multivariate universes, minding the time that brings exclusive universes into the same framework, conceiving an infinite intelligence, an artificial consciousness to see things in that time.
