The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the
Society for Artistic Research. The RC is free to use for artists and
researchers. It
serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be
an open space for experimentation and exchange.
recent activities
SWEAT - YoNoSudoBrillo
(2025)
Diana Ferro
SWEAT - YoNoSudoBrillo
Two weeks workshop held in Benidorm, Spain, in August 2024. In the context of EASA, European Architecture Students Assembly 2024 event. Tutored by Diana Ferro and Angelo Ciccaglione.
πΌπβπ πΆππ πΆπ·πππ πππ·ππΆπΈπΎππ ππππΆππΆππΎππ. πΏππ'π πππ·πΆππ ππ ππ½πΎπ πΏππππππ ππ» ππππππππ ππππππ½ππ.
In a sauna, people meet strangers and exchange stories while absorbing heat being naked and sweaty. In this workshop we brought the sauna to a step further: we absorbed heat, stories, gestures, words, objects, skills, dreams and sweat them out to other people, re-enacting what we have learned. Also naked, why not.
We learnt how to live, how to breathe, how to make a kebab, how to embody old wisdom, how to tie shoes the proper way. All you need is a fan, a towel and a body. A kebab stick, a drink, some snackies. Participants developed a deeper perspective on what it means to operate within a complex identity such as the city and gained skills to open their own kebab shop.
Writing Weaves
(2025)
Delphine Chapuis Schmitz
This exposition presents a format designed for experiencing and experimenting with writing as a collective practice of weaving textualities from different sources.
The format consists of an iterative process to be implemented in a workshop setting. It is based on implementations that have taken place in different contexts in the fields of higher education and research in the arts, and is intented as an invitation to further adopt and adapt the format in transversal settings.
recent publications
Portico in the Park
(2025)
Tolga Theo Yalur
This article concerns βabsolute voidβ as an impossible notion to describe via a reductionist approach, whose irreducible relativity emerges from efforts to imagine it β from the CERN laboratories to the artworks at MoMA. Science teaches correlations among things, not things themselves. For this, with photography and artworks, the article reflects in detail on objectivity, multivariate universes, minding the time that brings exclusive universes into the same framework, conceiving an infinite intelligence, an artificial consciousness to see things in that time.