Exposition

Transmutations: a staged concert / Transmutações: um concerto cênico (last edited: 2025)

Pedro Pablo Cámara Toldos
open exposition

About this exposition

Transmutations seeks to redefine the term transformation through a staged concert — a concert conceived as a work of art in itself. The traditional concert format and conventional performance practices are showing signs of stagnation, thus calling for the emergence of a voice adapted to this transformation. The boundaries of music, especially within the classical realm, have gradually blurred in recent times. Increasingly, artists are exploring the concert as a form of expression that not only integrates other artistic disciplines but also embraces technological advancements. This approach challenges traditional aesthetic conventions and the notion of genre and musical style. The omnipresence of technology in contemporary society underlines the need for research that explores the many possibilities of the concert format. This staged concert aims to redefine the concept of transformation by avoiding any stylistic boundaries. The works of Richard Strauss, John Cage, and Alexander Schubert are included not only for their artistic value but also for their contribution to the very notion of transformation.
typeresearch exposition
keywordsstaged concert, extended performer, contemporary music, concert director, multidisciplinary
date20/05/2024
last modified09/06/2025
statusin review
share statuspublic
affiliationIKG Institute
copyrightPedro Pablo Cámara
licensePublic domain
languageEnglish
urlhttps://www.researchcatalogue.net/view/2820549/3747232
external linkhttps://katarinagurska.com/act-cultural/klassicfest-2024/

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  • Sánchez, José Antonio, “Para Una Lectura Posteatral De Teatro Posdramático”, in Teatro Posdramático, ed. by Ad Litteram, 2017, pp. 17-25

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