Franziska Schroeder
embodied performance, digital performance, accessible technologies, inclusion, artificial intelligence, artificial Neural Networks
Bruno Pereira
voice, improvisation, art, performance, sound, body, opera
Alicia Champlin
bioacoustics, biosignal driven music, sound art, cybernetics, systems aesthetics, communication theory, ontology, Semiotics, live coding, max msp, installation, interactivity, frequency, resonance, EEG, BCI, Body-centered, agency, identity, Feedback
Tom Blancarte
double bass, improvisation, networks, evolution, cognitive neuroscience, Actor network theory, translation, Language, AI, saxophone, acoustics, second-order systems, cybernetics
Thomas Grill
Media Arts, Experimental music, Sound Art, improvised music
Lisa Salamandra
figurative art, raw meat, taboos, nude, art, collage, artwork
Eli-Kirstin Eide
Architecture, materiality, spatial design, universal design, senses
Zubin Kanga
Contemporary Music, Technology in Performance, Performance Practice, Music and Multimedia, interdisciplinary performance, interdisciplinary music, piano
Andrew Knight-Hill
Sound Art Sound-Space, electroacoustic music, electroacoustic composition
Rachel Carney
poetry, art, museum, Museum Art, creative writing, History
Calum Builder
improvisation, organ, saxophone, spiritual formation, spiral
Jamie Philbert
phenomonology, performance, martial arts, african cosmologies, african diaspora, Caribbean, Poetics of relation, poetics of knowledge, Embodied knowledge, embodied methodology, extrasomatic embodiment, Black Atlantic, futurism, Black Atlantic futurism
Zornitsa Stoyanova
performance, improvisation for performance, emergent meaning, honesty, performance presence, somatics, movement, instant composing, emergent voice, voice in dance, emergent poetry, dance and voice, feminist art, emergence theory, feminist dramaturgy