Jennifer Torrence
Percussion, contemporary music, new musical works, Experimental music, collaboration, collaborative processes, devising
Marko Uzunovski
contemporary music, electroacoustic music, electronic music, spatialisation, sound production, sound projection, Spatial Audio, spatial music, surround
Per Roar
Choreography, Performance studies, Trauma studies, Memory, Autoetnography, Composition, Fieldwork, Politics of representation, Artistic research
Rachel Kaminski Sanders
historical research, the dissertation, the syllabus, articulation, Cultural Studies, fashion, New literacies, arts-based research, writing, dress, critical consumerism, intersectionality
Saman Samadi
composition, ethnomusicology, experimental music, persian music, poststructural theory, music notation, aesthetic of modernism and postmodernism, performance practice of new music, music and identity, conceptual history, continental philosophy, deleuze, complexity, linguistics, semiotics
Marketa Kinterova
public space, performative walk, privately owned public space (POPS), participation, psychogeography
Linde Tillmanns
conceptual art, multidisciplinarity, modern jazz, multi-instrumentalism, musical languages, linguistics in relation to music
Anna Nygren
Language, Language of things, posthumanism, Literature, Poetic Research, horses, autism, materiality
Anke Zijlstra
dance, art education, audiences, embodiment, public space, artistic research, participatory spectatorship
Šárka Zahálková
art, participation, soundscape, ecofeminism, engaged listening, field recording, posthumanism, acoustic ecology