Researchers

Till Bovermann
sonification, listening, Live-electronics, live coding
Neil Mulholland
paragogy, neomedievalism, nonmodern
Nicolas Pierre Alexandre (NPA) Roudier
Horn, Early music, early music performance, Early Music research, historically informed performance, historical horn, natural horn, instrumental teaching, instrumental technique, instrumental manufacture, history of music
Alexander Rishaug
field recording, acoustic ecology, sound art, listening, deep listening, improvisation, experimental music
Cha Blasco
Technology Innovation, New media, New Protocols, Decentralized Systems, Performance Philosophy, Music, Performance, Philosophy, Antroposophy, Ecosophy
Despina Kapoulitsa
instant composition, dance choreography, open spaces, imaginary worlds
Xavier Mendik
Representations in cult and horror cinema, Images of terrorism in cult film traditions, Documentary film practices, Italian cinema and society, Culture and conflict in Canadian film
Franki Dodwell
music, sound art, Contemporary art, contemporary music
derek pigrum
visual art, Semiotics, philosophy, education, phenomenology, practice, process, Practice-as-research
Jamie Philbert
phenomonology, performance, martial arts, african cosmologies, african diaspora, Caribbean, Poetics of relation, poetics of knowledge, Embodied knowledge, embodied methodology, extrasomatic embodiment, Black Atlantic, futurism, Black Atlantic futurism
Pilar Miralles
listening, remembrance, presence, autoethnography, sensorial research, disposability