Researchers
Marie Fahlin 
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Elisabeth Schäfer 
deconstruction, Philosophy of the Body, Écriture féminine, Cixous, Derrida, Kristeva, Irigaray, Nancy, queer theory, Feminist Art, Feminist Philosophy, psychoanalysis, Butler, Freud, Laplanche, Theories of Embodiment, Theories of Subjectivation
Jonas Howden Sjøvaag 
music, audio recording, DIGITAL IMAGING, digital art, drums, jazz, improvisation, artificial intelligence, songwriting, Lyrics
Matilde Meireles 
Extended listening, Interconnectivity, interdependence, Documentation as a creative tool, Participation and collaboration
mari martin 
performance, collaboration, artistic processes, environment, senses, interaction, encountering, urban space, artistic research, ecology, artistic dialogue, anti-racism, transcorporeality, performing arts, virtuality, materiality, body, participatory installation, post doc research, public urban space, city, human, non-human, teacher of thatre art, multidisciplinarity, cross-disciplinarity, cooperation
Karen Schiff 
Agnes Martin, Pablo Picasso (early career), artistic research, word and image, studio practice
Josué Moreno Prieto 
urban sonic space, generative art, Algorithmic Composition, urban space, Urban Acoustics, Intermedia, SITE-SPECIFIC ART
Marisa Godoy 
dance, performance, generative practices, autoethnography, improvisation choreography, video annotation
Dominik Schlienger 
spatial interaction in music, art and technology, philosophy of technology, Spatial Audio
Torben Körschkes 
spatial design, Political Design, architecture, architectural research, artistic research, essay
Jesse Todd 
Creative Writing, Performative Writing, Theatre, Theatre play, play devising, playwriting, ruins, Wanderer, travel, anthropoetics, Mythology, sound art, Storytelling
Könemann Flora 
sound, Listening space and electroacoustic diffusion, craft, somatic research, dance;, composition, free jazz, frequency, painting process, movement, trance, Colour, transition
Késia Decoté Rodrigues 
music, Music Performance, interdisciplinary arts, Audience participation, Digital concerts, liveness, Women in Music
Nicola Visser 
Contemplative Dance Practice, Authentic Movement, Witnessing, Dance and Movement Improvisation, Thinking at the Edge, minor gesture, decolonial delinking, transformational infrastructure, community dance practice, eye practices
