Hedvig Jalhed
opera, music drama, dramaturgy, interaction, immersion, voice, vocality, singing
Fiona MacDonald
art, artistic research, posthumanism, intra-action, animals, plants, ecology
Marie-Andrée Robitaille
contemporary circus, performing arts, posthumanism, new materialism, dialogism, dialogical aesthetic, visual art, sonic interaction design, Sonic Arts, Agential realism, pedagogy, circus arts, Bauhaus, indigenous knowledge, circle, nonlinearity, feminist materialism, ontology, non-representational art, Feelings, composition as research, composition, Choreography, choreographic thinking, interdisciplinarity, transdisciplinary, philosophy, non-human, more-than-human, Climate Change, change, nondiscursivity, Semiotics, imagination, poetry as artistic research, walking as a mode of artistic research, fabulation, epistemology, affirmative ethics, ethics of joy, technopoetics
Matthias M Sildnik S
Generative systems, Conceptual art, installation, Philosophy of technology, Generative Artificial Intelligence, Media Arts
Kristin Norderval
voice, voice and live electronics, composer as performer, opera, music technology, gestural controllers
Nele Möller
forest, biodiversity, listening practices, historical nature inscriptions, radio art, auto-theory, sound, bioacoustics, writing sound, field recording
Laureen Mahler
making, practice-led research, interdisciplinarity, origami tessellations, folding, materiality, entanglements, dynamic space, visuality of making, sustainability, perception