SKH’s Portal Page in Research Catalogue
(last edited: 2025)
author(s): Heidi Möller, Katarina Eismann
This exposition is in progress and its share status is: visible to all.
Welcome to SKH’s Portal Page in Research Catalogue! From the SKH portal page you can access all our published expositions in the Research Catalogue – and get help to create your own exposition.
Eksamen KF-407 – En dag i dit liv: En forestillingsserie i fem afsnit
(last edited: 2025)
author(s): Anne Bjørg Kloster
This exposition is in review and its share status is: visible to all.
Dette er en eksamensopgave til emnet KF-407 på Master i Kunstfag (Universitetet i Agder).
Opgaven præsenterer et fiktivt scenekunstprojekt, som den bruger til at undersøge fiktionalitet, repræsentation og etik i teatret.
Pondering with Pines - Miettii Mäntyjen Kanssa - Funderar med Furor
(last edited: 2025)
author(s): Annette Arlander
This exposition is in progress and its share status is: visible to all.
This exposition documents my explorations of pondering with pine trees.
Tämä ekspositio dokumentoi yritykseni miettiä mäntyjen kanssa.
Den här ekspositionen dokumenterar mina försök att fundera med furor.
LANGUAGE-BASED ARTISTIC RESEARCH (SPECIAL INTEREST GROUP)
(last edited: 2025)
author(s): Emma Cocker, Alexander Damianisch, Lena Séraphin, Cordula Daus
This exposition is in progress and its share status is: visible to all.
Conceived and co-organised by Emma Cocker, Alexander Damianisch, Cordula Daus and Lena Séraphin, this Society of Artistic Research Special Interest Group (SAR SIG) provides contexts for coming together via the exchange of language-based research. The intent is to support developments in the field of expanded language-based practices by inviting attention, time and space for enabling understanding of/and via these practices anew.
The Somatic Costume Dressing Room - Choreographing Attention Through Touch and The Poetic
(last edited: 2025)
author(s): Sally Dean
This exposition is in progress and its share status is: visible to all.
A PhD that redefines performance through the somatic politics of touch and attention.
In an era grappling with profound disconnection and global crises, this PhD Thesis offers a hopeful counter-narrative, proposing that our very modes of perception are powerful political agents. Through a unique somatic, touch-based artistic research, it redefines choreography as the art of attending, moving beyond traditional visual dominance to cultivate a deeper, multi-sensorial engagement.
Structured in three parts, this thesis traces a journey from Context & Definitions to The Somatic Costume Dressing Room, and finally to the performance of Give Them Wings & We Shall See Their Faces. Born out of the COVID-19 pandemic, The Somatic Costume Dressing Room serves as a core methodology—a haptic-focused process where costumes are co-designed in the moment based on the wearer's arising psychophysical needs.
The final performance, Give Them Wings & We Shall See Their Faces, introduces Travellers (guided by touch with eyes closed) and Witnesses (engaging visually). Their experiences reveal how the primacy of touch reshapes our sense of time, place, and meaning-making through Poetic Material-ity. This approach challenges ocularcentrism, offering a modern eye remedy by integrating vision anew through tactile and auditory foundations.
Woven throughout the entire thesis are Somatic Acts, poetic, embodied invitations for the reader. These acts are more than just exercises; they are integral to the research, bridging theory and practice with sensory experience to make the thesis a participatory, felt journey.
Ultimately, this research advocates for a quiet yet profound political act: using somatic practice and costume to cultivate a more holistic way of being in the world. Costume, in this context, transcends mere adornment; it becomes a core choreographic practice, a `Somatic Costume Landscape´ that fosters intimacy, agency, and embodied connection. It offers a vital path to resilience and resistance, redefining what performance can be by returning to the body's felt experience and a non-striving form of attention.
Contemporary Circus Performer (time for chaos)
(last edited: 2025)
author(s): Zaelea Nolte
This exposition is in progress and its share status is: visible to all.
this is the first draft of my website!
currently being very much restructured so don't mind the chaos!
I acknowledge that I live and work on indigenous lands that were stolen through violent colonisation. I pay my respects to Elders past and present and recognise the enduring connection of Aboriginal and Torres Strait Islander peoples to Country. I invite us all to reflect on our shared responsibility to honour and respect this land and its stories.
