Juggling and Writing
(last edited: 2025)
author(s): Poppy Emer Greenford
This exposition is in progress and its share status is: visible to all.
How can we juggle semiotics and write somatics in circus? I aim to investigate the relationship between two artistic practices Juggling & Writing, how they can intersect and how the material can create emotive and exciting physical storytelling. As juggling is an inherently somatic practice and writing & words naturally hold semiotic value, the question aims to contradict the dualistic terms.
This project is a new development of a previous research into circus directing methodologies. However this will focus on my personal practices and the connection between juggling and creative writing; storytelling methodologies within a circus and theatre context. In previous work I have integrated these to a certain extent and now I would like to research devising techniques to find new ways of working. Can I juggle words? Can my writing hold rhythm, can it drop, catch, use siteswap theory?
Not a Live Show
(last edited: 2025)
author(s): Emily Gray
This exposition is in progress and its share status is: visible to all.
Not a Live Show was an exhibition held as part of the Bonington Gallery 'Vitrines' programme at Nottingham Trent University in March 2019. The exhibition reflected on archival research regarding New Contemporaries 'Live Show's in 1976 and 1977.
SKH’s Portal Page in Research Catalogue
(last edited: 2025)
author(s): Heidi Möller, Katarina Eismann
This exposition is in progress and its share status is: visible to all.
Welcome to SKH’s Portal Page in Research Catalogue! From the SKH portal page you can access all our published expositions in the Research Catalogue – and get help to create your own exposition.
Replicas
(last edited: 2025)
author(s): Eleni Palogou
This exposition is in progress and its share status is: visible to all.
What triggered me to start this research is the multiplicity of reality. How something is represented, how it actually is and then how we all perceive it in our very own way. In that sense reality doesn’t exist, only versions of it. The lack of awareness of this multiplicity affects a lot our lives; what we believe, what we take as granted and how he behave.Through this practice based research I am experimenting on how to create moments of surprise and realization for the spectator.
I work with copies and representations, replicas as I like to call them. The Replicas can be made of different materials, can be virtual or very physical. Until now I used scale models, mirrors and projections but the list is endless; so are the different ways to use the replicas or the impact that they will have.
The way that the replicas are introduced to the spectator and their interaction is also very crucial in my work and another field to research. The movement and the body play a significant role to this. The special relationship that we have with our body, the way that we perceive it and how the movement can reset these relations and affect how we experience things.
Project D Public Spaces
(last edited: 2025)
author(s): Ivan Cook
This exposition is in progress and its share status is: visible to all.
A report around Project D
WervelWindStil (2022)
(last edited: 2025)
author(s): Juriaan Achthoven
This exposition is in progress and its share status is: visible to all.
During a three weeks residency at the Nachtzuster, I worked together with a visual artist (Bas Kaufman) and a dancer (Maria Moschou) around the question of how to create vertical resonance in art. The question was inspired by theory of Harmut Rosa on 'resonance' (2018) and on the theory of 'metamodernism' by Vermeulen & Van den Akker (2010). We performed each Friday - 3 times in total - re-assembling and re-composing the main material of our artistic ritual in dialogue with feedback from each performance-session. The performance was meant as an incantation to draw the audience into a dreamlike world of surreal images.
