Ansikstmaske støpt med støpeform
(last edited: 2020)
author(s): Tiare Damaris Delgadillo Toledo
This exposition is in progress and its share status is: visible to all.
Ved å klippe ut plastark (PET) fra plastflasker, kan man ved hjelp av støpeform tilpasset generelle ansikter.
Ved å varme opp plastarket til - 125 grader (bearbeidingstemperatur) vil man kunne forme masken på en kontrollert måte.
STARTA 4x4
(last edited: 2020)
author(s): Hanna Hernæs
This exposition is in progress and its share status is: visible to all.
Applikasjon for 4x4 treningsprogram
Intertwined - What does it mean to be a creative person of faith?
(last edited: 2019)
author(s): Joshua Hale, Kelly J. Arbeau
This exposition is in progress and its share status is: visible to all.
From the most religious to the most secular, no artist ever knows exactly where their creative process is leading—but we all seem to have faith that we will get there. Many factors underlying creativity are also crucial to the act of having faith. These shared factors include ambiguity tolerance, openness to mystery, engaging with paradoxical thinking, perseverance, and questioning. Additionally, those who practice each (creativity, faith) share many guiding phrases, such as “take it one step at a time,” “go with your heart,” and “trust the process.” This interdisciplinary arts-based research project explores the experience of being a self-identified creative who practices a faith or religion. The exhibition combines methods from arts-based research, human centered design, and phenomenology to describe the intersections between the creative practices and faith perspectives of 15 individuals. The experience of our participants is that of creativity and faith combining—intertwining—to form an interactional, hybrid experience that is profoundly different from each experience on its own.
Quiet Observations
(last edited: 2019)
author(s): Åse Huus
This exposition is in progress and its share status is: visible to all.
By looking closer, the normal and ordinary can become something else, something extraordinary, if we pay attention or exercise attention. And, by exercising attention we can get into the ordinary´s simple, but equally complex scope, but then – with a distance – something we no longer stand in the middle of. The artistic research project «Quiet observations» is about reflections related to wonder, relation and proximity. The project has evolved into a research project from a pre-project where the starting point was to research the concept of ambiguity. As I see it, the nature of everyday life and everyday surroundings are elusive and ambiguous, and by its inherent complexity, a source of wonder.
In ambiguity, we can find an indefinite space, a space for speculation and imagination. In this perspective, ambiguity provides a space for creative receptivity, to actively consider multiple interpretations of meaning and reconsider preconceptions.
Dedicated observations can provide proximity to everyday surroundings which make them no longer seem obvious, but rather manifests themselves as source of wonder, abstraction, imagination and daydreaming.
The project has two parallel areas of interest; the field specific perspective is defined as research through editorial design beyond media, and the other perspective is based on educational interest in the design process itself.
Editorial design in this context is understood as the framework and the architecture of how a given content is read and interpreted.
