Gentle Friction - through temporary territories of culture
(2024)
author(s): Alicia Rottke Fitzpatrick
published in: Royal Academy of Art, The Hague
Friction between the other is not only inevitable but a necessary part of heterogeneous life. However, this friction can occur on a spectrum, from aggressive, violent manifestations to more gentle, subtle forms. This research explores the latter form of friction within the context of cultural events.
There is a growing rhetoric that cultural events are solely for elitist circles, and if this discourse continues to permeate society, the transformative power of these events will be in jeopardy.
To preserve and reinforce the transformative power of these spaces, this research asks: How do cultural events facilitate moments of gentle friction as a means to foster an understanding of 'the other'?
This research began as an introspective exploration into the author's practice. By unpacking the conditions of conviviality, autonomy, and temporality that ensure the friction remains gentle, the research explores how these conditions can be spatially translated to strengthen the experience in these spaces. Concluding with a set of design tools that can be used to ensure the vitality of cultural events, encouraging diverse participation as a means to protect this necessary form of friction between the other.
Responsibility towards the Void
(2022)
author(s): Mike Croft
connected to: i2ADS - Research Institute in Art, Design and Society
published in: RUUKKU - Studies in Artistic Research
The question of responsibility is explored through drawing, specifically relating to a so-termed void space that ranges over a builder's yard and its immediate environment. The research is formatted as dated journal entries to show its chronological development, with the proviso that later stages may eclipse earlier stages, depending on their relevance. This looping, as it were, mimics the fact that the void space is best defined by the occasional circling of swifts, an observation that becomes a metaphor for how to try to articulate the space pictorially. Responsibility is referenced through theories of each of Levinas, Lacan and Foucault in relation to the Other, the latter of which is taken as the theoretical equivalent of void, but no less concerning responsibility. The author has drawn the site in such terms as locate the void in both the space that the site defines and a gap in the drawing process. This artistic effort is analogous demonstration of responsibility to that which is suggested by the theory. Responsibility is considered from the perspective of the personal and individual, automatically present in artistic commitment, in this case finding some explanation in theoretical thinking of the abstract notion of Other. The formatting of the process of attending to this theme and motif as research leads to a situation where drawing, as such, is but the predominantly visual tool alongside art writing, academic research, and graphic layout that provides live links to video clips and two explanatory texts.
REPUBLIC OF THE OTHER
(2021)
author(s): Xenia Mura Fink, Jinny Yu
published in: Research Catalogue
REPUBLIC OF THE OTHER is an art collective consisting of and founded by Jinny Yu and Xenia Fink.
A contradiction in itself, REPUBLIC OF THE OTHER reflects our questioning of geographic and national identities defined by borders and boundaries and is the basis of our research on the attraction to form an entity.
Our collaboration started with the urgency to express our resistance against the generalized right-wing tendency, with nation-states and borders strengthening with great force worldwide and with the conviction that we have something to contribute to the discussion.
Manifestos as a subject matter are our way to describe a utopia where we all accept each other as an “other”.
Our practice is executed through exchanging and developing ideas from our respective locations. Remotely sharing thoughts naturally lend to working with text as a medium; when we occasionally do convene, concepts may also take the shape of installations and video work.
HOME
(last edited: 2025)
author(s): Vera Boitcova
This exposition is in progress and its share status is: visible to all.
HOME is part of Vera Boitcova’s ongoing doctoral artistic research that explores the notions of home and belonging within queer migrant dramaturgies. Expanding this inquiry, Boitcova brought together four queer migrant artists currently based in Helsinki to reflect on themes of displacement, absence/presence, and the complex meanings of belonging.
The project consisted of four workshops designed by Boitcova to methodologically experiment with the languages of queer migrant dramaturgy. These workshops aimed to create a space for collaborative experimentation and exploration, where participants could test how personal practices and lived experiences might be translated into shared, performative forms. The sessions also facilitated the discussion of artistic methods and ideas related to home and belonging among fellow queer migrant artists in Finland. The participating artists were selected through an open call posted by Boitcova in March 2025, with selection criteria emphasizing the specific focus of the project (exclusively for queer migrant artists) as well as the artistic merit of the applicants.
The outcome of the workshop series was the creation of five individual, site-specific, performance-based works presented on Suomenlinna Island in and around HIAP Gallery in June 2025. Each piece responded not only to the physical and symbolic context of the island but also acted as a form of cultural translation, transforming personal and collective experiences of displacement, identity, and belonging into performative language. The second outcome was participation in a group exhibition at the same gallery titled Unfolding Island Ecologies, which featured video documentation from the creative processes behind each artist’s work.
This exposition presents materials created and collected during the workshops leading up to creation of the performances. It documents the ongoing effort to develop a performative language capable of expressing queer migrant narratives centered around the concept of home. It attempts to capture dramaturgical methodologies-in-progress and the process of translation of personal artistic practices into shared experiences. The exposition is structured into five sections: brainstorming exercises, workshop designs, artistic tasks, writing prompts, and reflective texts. Each section was designed to highlight different methodological aspects of the process and to offer multiple perspectives on this exploration.
SELF as OTHER, or: Speaking aut*
(last edited: 2025)
author(s): Brab, Annan
This exposition is in progress and its share status is: visible to all.
We, Anna N. and Barb/Brab, started an exchange of thoughts about the meaning of "aut" – as in aut/istic and aut/oimmune.
We are interested in what it means to live as auts, to write about it in regard to everydaily life, in regard to the medical discourses about autism and autoimmunity, and in regard to the view of the "others", the not-auts.
In the context of language-based artistic research we seek to develop practices that allow for investigating the meaning of aut on different levels of our existence.
* (Speaking out and at the same time speaking as auts, but also speaking in a language called "aut")
Mapa de la violencia politica en Latinoamerica
(last edited: 2022)
author(s): Mapa de la violencia politica en Latinoamerica
This exposition is in progress and its share status is: visible to all.
Mapa de la Violencia Política: Latinoamérica investiga y crea mecanismos de representación en torno a diferentes formas de violencia dentro del territorio latinoamericano. Estudiamos las formas en que operan los principales actores del sistema hegemónico (estados, medios de comunicación, organismos culturales, educativos) al encubrir, justificar, desdibujar y silenciar genocidios, guerras, terrorismo de estado, migraciones forzosas, reeducación política, etc.
Political Violence Mapping: Latin America investigates and creates representation mechanisms around different forms of violence within the Latin American territory. We study the ways in which the main actors of the hegemonic system (states, media, cultural and educational organizations) operate by covering up, justifying, blurring and silencing genocides, wars, state terrorism, forced migrations, political re-education, etc.
We, Anna N. and Barb/Brab, started an exchange of thoughts about the meaning of "aut" – as in aut/istic and aut/oimmune. We are interested in what it means to live as auts, to write about it in regard to everydaily life, in regard to the medical discourses about autism and autoimmunity, and in regard to the view of the "others", the not-auts. In the context of language-based artistic research we seek to develop practices that allow for investigating the meaning of aut on different levels of our existence. * (Speaking out and at the same time speaking as auts, but also speaking in a language called "aut")open exposition comments (0)