Tree of Dawn: Translation as a Method
(2022)
author(s): Aurora Del Rio
published in: VIS - Nordic Journal for Artistic Research
This research is part of my doctoral project Archetypes of Contamination, which focuses on the relationship between symbolic images and processes of environmental transformation. This exposition, Tree of Dawn, develops by looking for the correspondence between radioactive contamination and the traditional Latvian image of the Sun-Tree as found in the Dainas, an ancient form of poetry transmitted orally through songs. My artistic process uses a re-creation and re-interpretation of ritualistic practices. With a focus on radioactive contamination, my research looks at how the experience of contaminated spaces can be read through specific myths connected to the land to interfere with the creation of personal and collective realities. The exposition moves through methods of translation as a way of reflecting on the limits of knowledge, where translation is thought of in the wider senses of transposition, deciphering, decoding, and reading through.
Whyte&Zettergren
(last edited: 2024)
author(s): Whyte&Zettergren
This exposition is in progress and its share status is: visible to all.
Whyte&Zettergren is an artistic duo comprising Jamaican dancer Olando Whyte and Swedish visual artist Rut Karin Zettergren. Their collaboration, initiated in 2018 with the project, Herring, Iron, Gunpowder, Humans & Sugar (HIGHS). With the project they visit locations historically linked to the triangular trade, the economic system underpinning the transatlantic slave trade. At these historical sites, Whyte&Zettergren perform live acts with choreography, storytelling, and ceremonial actions. In the acts they use objects crafted from materials extracted, manufactured, or exported from these locations.
In March 2022, the duo launched a space-traveling program for healing Historical Spiritual Vibrations outside a saltfish factory in Reykjavik. A resistance act inspired by Afrofuturism, dub, and speculative fiction, envisioning space as a realm of freedom. This initiative originated from their participation in the collaborative artistic research project ÓNÆM (2020-2022), organized by Bryndís Björnsdóttir. During the project, they explored colonial interlinks between the North and the Caribbean, first focusing on food, and then moving in to research the relationship between plans for new space exploration and colonization, along with their connections to legacies stemming from the Enlightenment.
The duo's artistic works constitute an ongoing investigation into the historical memory held by a place, material, and body. Their process visualizes the entanglement between geographically distant locations, objects, cultures, and times. Through their creative processes, they seek potential methods for healing historical trauma and strive to craft rites that envision possible futures.
Whyte&Zettergren is currently working on their space program along with a video artwork on historical trauma and the collaborative research project Contingency Sample with Bryndís Björnsdóttir that explore extractivism in the era of the new space age. Their works have previously been performed and presented at various significant venues, including the Great House of the sugar plantation Stokes Hall, Fd Molyne’s Sugar Estate, Fort Charles in Port Royal Harbor (JA), Klippan harbor in collaboration with Tredje Våningen, Gammelbo Ironworks, Malongen - The Nordic Art Association (NKF), TEGEN2, Galleri Thomassen, Galleri Gerlesborg (SE), and the Living Art Museum in Reykjavik (IS)
Herring, Iron, Gunpowder, Humans and Sugar
(last edited: 2024)
author(s): Whyte&Zettergren
This exposition is in progress and its share status is: visible to all.
Herring, Iron, Gunpowder, Humans & Sugar (HIGHS). With the project they visit locations historically linked to the triangular trade, the economic system underpinning the transatlantic slave trade. At these historical sites, Whyte&Zettergren perform live acts with choreography, storytelling, and ceremonial actions. In the acts they use objects crafted from materials extracted, manufactured, or exported from these locations.
PERFORMATIVE THEOLOGY
(last edited: 2024)
author(s): Network for Performative Theology
This exposition is in progress and its share status is: visible to all.
The purpose of this exposition is to collect data of what Performative Theology can be and become primarily within an academic research but also beyond. The expo will be a timespace nurtured by members the Network for Performative Theology, established 6 October 2022 in Oslo.
Herring, Iron, Gunpowder, Humans & Sugar (HIGHS). With the project they visit locations historically linked to the triangular trade, the economic system underpinning the transatlantic slave trade. At these historical sites, Whyte&Zettergren perform live acts with choreography, storytelling, and ceremonial actions. In the acts they use objects crafted from materials extracted, manufactured, or exported from these locations.open exposition comments (0)
The purpose of this exposition is to collect data of what Performative Theology can be and become primarily within an academic research but also beyond. The expo will be a timespace nurtured by members the Network for Performative Theology, established 6 October 2022 in Oslo.open exposition comments (0)