ChatGPT and The Art of Dance-Making
(2024)
author(s): Chiara Bellich
published in: Research Catalogue
Drawing from Blast Theory and Bourriaud's concept of Relation Aesthetics, this practice-as-research project analyses the relationship between choreography, ChatGPT, and audience interaction, using both qualitative and quantitative approaches. The aim of the project is to understand how ChatGPT can be used as a tool for generating choreographies.
To answer this question, I conducted two workshops with six participants, after which I obtained four dance sequences. Participants agreed that ChatGPT contributed to a unique and dynamic experience by creating new and innovative movements. When asked about challenging traditional notions of choreographic authorship, there was a split, with some participants expressing uncertainty.
Dokumentasjon av utstilling / Documentation of the exhibition
(last edited: 2024)
author(s): Sigrid Espelien
This exposition is in progress and its share status is: visible to all.
Denne siden inneholder fotodokumentasjon av utstillingen "Jording med (blå)leire" på ROM for kunst og arkitektur 13. september til 13. oktober 2024, som var en del av det kunstneriske resultatet i det kunstneriske doktorgradsprosjektet med samme tittel.
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This page contains photo documentation of the exhibition "Grounding with (blue)clay" at ROM for Art and Architecture, held from September 13 to October 13, 2024. The exhibition was part of the artistic outcome of the artistic doctoral project with the same title.
Dokumentasjon av leirevandringene / Documentation of the clay wanderings
(last edited: 2024)
author(s): Sigrid Espelien
This exposition is in progress and its share status is: visible to all.
Denne siden inneholder foto- og lyd-dokumentasjon av leirevandringene som er en del av det kunstneriske resultatet av det kunstneriske doktorgradsprosjektet "Jording med (blå)leire".
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This page contains photo and audio documentation of the clay wanderings, which are part of the artistic outcome of the artistic doctoral project "Grounding with (Blue) Clay."
VOICE-ART-ABLE
(last edited: 2022)
author(s): Yvon Bonenfant
This exposition is in progress and its share status is: visible to all.
In 2019 an artistic team visited people who use a range of facilities operated by the Cope Foundation, in Cork, Ireland. Our intention was to explore what these people, a range of adults with mild to moderate learning disAbilities, enjoyed doing with their voices, when freed from the constraints of having to 'sing well' or 'speak well', and then to invite these voicings inside a co-creative art process. Our ultimate goal was to create concepts and designs for a voice-art interface that would best facilitate this demographic of users to make their own vocal art, and in celebrating their vocal uniqueness.
