The Fourth Wall of Architecture
(2016)
author(s): Bart L. Decroos
published in: Journal for Artistic Research
This work is an attempt to combine the fields of architecture, critical theory, and literature. It deals with the question of how an architectural artefact develops its meaning within a larger discourse through its image, and how this relates to the everyday life of the physical space of the artefact.
The work has been developed by translating certain theoretical ideas to a fictional setting in order to explore these ideas through the medium of literature. The theoretical starting point thus takes on the form of characters, dialogues, and events within a specific architectural environment in an attempt to relate these diverse ideas to one another and to the physical space. The resulting short stories have then been translated to images of physical spaces, which try to detect these theoretical ideas on the level of the space itself.
The complete work comprises three short stories, each dealing with a different type of architecture: the single-family house, the hotel room, and the office space.
Glossary
(last edited: 2023)
author(s): Zoe Panagiota (aka Betty) Nigianni
This exposition is in progress and its share status is: visible to all.
The exposition outlines artistic terms and categories in relation to my artistic practice. I include below a specific quote about the artistic notion of the postmodern.
"The postmodern would be that which, in the modern, puts forward the unrepresentable in presentation itself; that which denies itself the solace of good forms, the consensus of a taste which would make it possible to share collectively the nostalgia for the unattainable; that which searches for new presentations, not in order to enjoy them but in order to impart a stronger sense of the unrepresentable. A postmodern artist or writer is in the position of a philosopher: the text he writes, the work he produces are not in principle governed by pre-established rules, and they cannot be judged according to a determining judgment, by applying familiar categories to the text or to the work. Those rules and categories are what the work of art itself is looking for. The artist and the writer, then, are working without rules in order to formulate the rules of what will have been done. Hence the fact that work and text have the character of an event; hence also they always come too late for their author, or, what amounts to the same thing, their being put into work, their realisation (mise en oeuvre) always begin too soon. 'Post modern' would have to be understood according to the paradox of the future (post) anterior (modo)."
Jean-Francois Lyotard, 'The Postmodern Condition: A Report on Knowledge', trans. by G. Bennington and B. Massumi, Minneapolis: University of Minnesota Press, 1984, p. 81.
Terms have been taken loosely from 'Art Now, Vol. 3', Hans Werner Holzwarth (ed.), Cologne: Taschen, 2012.
Workbook of the Universe - 2023
(last edited: 2023)
author(s): Federico Federici
This exposition is in progress and its share status is: visible to all.
How to split the universe up into addends.
Global Music: Recasting and Rethinking the Popular as Global
(last edited: 2023)
author(s): Carlos Roos
connected to: Academy of Creative and Performing Arts
This exposition is in progress and its share status is: visible to all.
The present dissertation revolves around popular music as a global phenomenon. The research focuses on the form and meaning of its musical structures and their rapport with everyday experience1 at the dawn of the 21st century. In what follows, I argue that the ontological key to popular music lies in the dialectic between formal attributes and societal dynamics, between musical text and cultural context. To that end, this inquiry unfolds at the intersection of cultural musicology and media studies.
Research by Carlos Roos