How To Reunite After a Break with Your Artistic Partner: A Personal Example
(2025)
author(s): Gosia Trajkowska
published in: Research Catalogue
In this text, I want to share the very personal experience of reconnecting with my
artistic partner, Vera Popova, through the means of an audio walk.
Screenshot Cameos of ‘After the Flood’; a project archived
(2025)
author(s): Mike Croft
published in: Research Catalogue
The project comprises text, location photos, photos of artworks, and video animations that record the experiences of a natural flood that affected house and studio. The project’s content is a consideration of the consequences of the flood towards an existing project in progress at the time and on existing finished artwork. The finished exposition had two unsuccessful reviews; the first due to insufficiently proposing a workable consideration of failure, the second for insufficient clarity of purpose. As this self-published iteration, screenshots taken from the original iteration as formatted on the RC are overlaid with short summaries of aspects of the project’s content, in terms pertaining to both the staining of the flood water and the often unacknowledged writing, re-writing, and over-writing of whatever is the language basis of one's practice. The screenshots, as simulated text-and-image cameos, have the summaries ranged next to them as legible text. The original submitted project is archived though accessible as a PDF only, along with its supplementary papers and video clips.
Metamorphosis of HOME
(2025)
author(s): Annamária Zemková
published in: Research Catalogue
Pigeons- an urban creature once domesticated, now roaming freely and confused searching for Home.
Karaoke and Queering Capitalism
(2025)
author(s): Eygló Höskuldsdóttir Viborg
published in: Research Catalogue
This is the final reflection paper of Eygló Höskuldsdóttir Viborg from the MA program in Performing Arts at Iceland University of the arts.
It is hard to live as a living artist these days. Here are some of my findings on how I can use the art of karaoke to make ends meet.
Vermehrstimmigen als kontemplative Praxis - Dokumentationsteil
(2025)
author(s): Jakob Stillmark
published in: Research Catalogue
Abbildungen und Medien zur Dissertation
Radiohead: Daydreaming (Piano Phase Remix)
(2025)
author(s): Charles White
published in: Research Catalogue
This artistic research project introduces a 14-minute album, Radiohead Daydreaming (Piano Phase Remix), a remix of an excerpt from Radiohead’s introspective track “Daydreaming.” Employing the minimalist technique of piano phase music—pioneered by composers like Steve Reich—the remix overlays two identical musical lines that gradually shift out of sync, generating intricate rhythmic and harmonic textures. This experimental approach reimagines Radiohead’s atmospheric soundscape, questioning the boundaries of remixing as a creative practice and questioning the integration of avant-garde methods into popular music genres. The work situates itself at the intersection of contemporary music and popular culture, challenging conventional notions of authorship, perception, and musical temporality. By applying phase music to a widely recognized song, the remix fosters a dialogue between experimental composition and mainstream accessibility, inviting listeners to engage with familiar material in a novel context. This process not only recontextualizes the original but also explores the potential of remix culture as a site for innovation and critical inquiry. As a case study in artistic research, Radiohead Daydreaming (Piano Phase Remix) underscores the artist’s role as a researcher, pushing the limits of genre fluidity and creative transformation. The project contributes to broader discussions on the democratization of experimental music and the capacity of remixing to bridge diverse musical traditions, offering new perspectives on the interplay between art, sound, and society.