Research Catalogue

an international database for artistic research

• 10. Projects KMD Research projects and artistic results
• 9. PHD 2025 KMD Artistic Research
• 8. PHD 2024 phd fellows
• 7. PhD 2023 PhD 2023
• 6. PhD - KMD 2022 PhD - KMD 2022
• 5. PhD - KMD 2021 Thesis under evaluation
• 4. Articles Various articles published in the KMD portal.
• 3. Crisis Collective - contributions to a lost conference Crisis Collective - contributions to a lost conference
• 2. PhD - KMD 2019 Finished thesis. 2019
• 1. Past projects - 2018 and prior Projects KMD

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  Topographies of the obsolete (2023) author(s): Anne-Helen Mydland, Neil Joseph Brownsword published in: Faculty of Fine Art, Music and Design, University of Bergen
  Topographies of the Obsoleteis an Artistic Research project (KU Prosjekt) initiated by Professors Neil Brownsword and Anne Helen Mydland at Bergen Academy of Art and Design (KHiB) in collaboration with partner universities/institutions in Denmark, Germany and the UK. Our main collaborative partner is the British Ceramics Biennial, who invited KHiB to work at the original Spode Works factory in Stoke-on-Trent, to develop a site specific artistic response as a core element of their 2013 exhibition program. More than 40 international artists and theoreticians have participated in this multidisciplinary project with a program of seminars, publications and exhibitions. Three residencies have accumulated individual artistic projects from which the overriding project has developed. The project focus centres upon the landscape of post-industry, more particular; that of Stoke-on-Trent, a world renowned ceramic capital that bears in its city evidence of fluctuations in global fortunes. The original Spode factory, situated in the heart of Stoke-on-Trent, was once a keystone of the city's industrial heritage which operated upon its original site for over 230 years. Amongst Spode's contributions to ceramic history include the perfection of under-glaze blue printing and Fine Bone China. The factory's industrial architecture dates from the 1760's to the late 1980's, with spaces associated with all aspects of the design, manufacture, retail and administration in close geographical proximity. In 2008 Spode's Church Street site closed, with most of its production infrastructure and contents left intact.
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  Reading out loud (2023) author(s): Juliane Zelwies published in: Faculty of Fine Art, Music and Design, University of Bergen
  English: With the research project Reading out loud I tried to draw attention to a specific blind spot. There is a strong tradition in the visual arts of introspection, critique and performative behaviour.
  While hierarchies, dependencies and structures of the institutional apparatus (often represented as The Museum or The Gallery) have been frequently critiqued and examined by visual artists as part of their practice, artists seldom turn their gaze on themselves as propagators and contributors of cultural traditions within the increasingly globalised art world(s).
  During my research, I have explored and developed approaches to describe, analyse and understand the artist ́s habitus (i.e. beliefs, codes and behaviour) that I and my colleagues express in professional and informal settings. In particular I have been interested in examining situations in which artists seem to violate unwritten rules or conventions and their peers ́ response to such violations.
  The project resulted in a series of posters, video works, an artist book and a set of public readings. While the poster series Words of Mouth is based on quotes which I collected at various informal occasions from my peers and other art professionals, the video OFF THE RECORD examines the identity artists have of themselves and their working environment more methodically. The artist book artistic research has been written in the form of a script from my memories of a summer academy for artistic research that was held on the island of Utøya. Other versions of the text have been presented publicly, providing an insight into the struggle with the text and the changes and edits it went through before eventually becoming a work of fiction.
  Norsk: Med forskningsprosjektet Reading out loud prøver jeg å rette oppmerksomheten mot en bestemt blindsone. Det er en sterk tradisjon i billedkunsten for introspeksjon, kritikk og performativ atferd. Mens hierarkier, avhengigheter og strukturer i det institusjonelle apparatet (ofte representert av Museet eller Galleriet) ofte har blitt kritisert og undersøkt av billedkunstnere som en del av deres praksis, vender kunstnere sjelden blikket mot seg selv som formidlere og bidragsytere av kulturelle tradisjoner innenfor den stadig mer globaliserte kunstverdenen(e).
  I løpet av min forskning har jeg utforsket og utviklet tilnærminger for å beskrive, analysere og forstå kunstnerens habitus (dvs. tro, koder og atferd) som jeg og mine kolleger uttrykker i profesjonelle og uformelle omgivelser. Spesielt har jeg vært interessert i å undersøke situasjoner der kunstnere synes å bryte uskrevne regler eller konvensjoner og deres fagfellers respons på slike brudd.
  Prosjektet resulterte i en serie plakater, videoverk, en artist book og et sett med offentlige opplesninger. Plakatserien Words of Mouth baserer seg på sitater jeg har samlet ved ulike uformelle (kunst)situasjoner fra det profesjonelle kunstfeltet. Videoarbeidet OFF THE RECORD er en mer metodisk undersøkelse av forståelsen kunstnere har av seg selv, sin kunstneridentitet og sitt arbeidsmiljø. Kunstboken med tittelen artistic research er skrevet i form av et manus basert på mine minner om et sommerakademi for kunstnerisk utviklingsarbeid som ble holdt på Utøya. Andre versjoner av teksten har blitt presentert offentlig, noe som gir et innblikk i kampen med teksten; endringene og redigeringene den gikk igjennom før den til slutt ble et skjønnlitterært verk.
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  Wheels within wheels: Distortion (2022) author(s): Ruben Sverre Gjertsen published in: Faculty of Fine Art, Music and Design, University of Bergen
  The project explores expressions found through interactions between performers of early music and composers. This part of the documentation is focused on the collaboration between Ruben Sverre Gjertsen and Ensemble Currentes, parts where the project has moved outside the field of historically informed performance, and into the experimental field.
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  SYNSMASKINEN (2022) author(s): Frans Jacobi published in: Faculty of Fine Art, Music and Design, University of Bergen
  SYNSMASKINEN: an inquiry into contemporary political crises SYNSMASKINEN is a new artist-group and an inquiry into contemporary political crises. The project will consist of art projects, each exploring a certain aspect or manifestation of contemporary crisis. Together these visions are attempts to unfold a contemporary cosmology; a new political horizon. SYNSMASKINEN is an artist-group in the sense that each production is made in collaboration between a small group of participants. Each art project will be made by new groups of artists and thinkers. In this sense SYNSMASKINEN will probe the concept of the research-group: What kind of insights does artistic thinking provide? How can collectivity address the political issues of topics in a critical manner? The name, SYNSMASKINEN is taken from the Danish and Norwegian translations of Paul Virilio’s seminal book on the techniques of perception, La Machine De Vision. The name SYNSMASKINEN contains the methodological program: SYN=vision / MASKIN=machine SYNSMASKINEN is the third large-scale research-project at Bergen Academy of Art & Design. Following Re-Place and Topographies of the Obsolete the project offers a continuation of and an addition to the new tradition of kunstnerisk utvikling/artistic research at the core the Department of Art. SYNSMASKINEN is organised by professor Frans Jacobi, artistic-research leader Åse Løvgren and research assistant Benedicte Clementsen. www.synsmaskinen.net
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  KVA(M) NO (2022) author(s): Linda H. Lien published in: Faculty of Fine Art, Music and Design, University of Bergen
  A search for new forms of identity programs for places; with emphasis on democracy and non-commercial resources. Research fellow project (2011), the Norwegian Artistic Research Programme.
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  Topographies of the Obsolete (2022) author(s): KMD, Arild Berge published in: Faculty of Fine Art, Music and Design, University of Bergen
  Topographies of the Obsolete is an artistic research project initiated by Professors Neil Brownsword and Anne Helen Mydland at Bergen Academy of Art and Design (KHiB) in collaboration with partner universities/institutions in Denmark, Germany, Switzerland, France and the UK. In 2012 the British Ceramics Biennial invited Bergen Academy of Art and Design (KHiB) to develop a site-specific artistic response to the former Spode Factory in Stoke-on-Trent as a key element of their 2013 exhibition programme. The project explores the landscape and associated histories of post-industry, with an initial emphasis on Stoke-on-Trent, a world-renowned ceramics capital that bears evidence of fluctuations in global fortunes.
  open exposition comments (0)