Crossovers between Jazz and Mainstream Media
(2025)
author(s): Dhruv Sharma
published in: Research Catalogue
The paper talks about Jazz drummers who were featured on albums and tracks that are far from what may be considered ‘Jazz’. It also talks about drummers who worked in the visual media industry by working on soundtracks and sometimes appearing on movies / TV themselves
Eden - a performance
(2025)
author(s): Nína Sigríður Hjálmarsdóttir
connected to: Iceland University of the Arts
published in: Research Catalogue
„Í okkar Eden er lykt af píku og nýslegnu grasi, og hrúga af hálfétnum eplum í horninu. Það er eitthvað skrítið við okkar Eden, eitthvað á ská, eitthvað óþægilegt. Adam & Eva eru ekki að leika hlutverkin sín eins og þau hafa alltaf gert.“
Embla Guðrúnar Ágústsdóttir og Nína Hjálmarsdóttir kafa ofan í sköpunarsöguna og taka sér pláss í sjálfum aldingarðinum upprunalega. Eden er hinsegin fötlunarparadís sem afmiðjar norm samfélagsins og leyfir áhorfendum að finna fyrir hinu erótíska innra með sér.
Artography exposition: A/r/tography and improvisation
(2025)
author(s): Stina O'Connell
published in: Research Catalogue
This exposition investigates the potential of a/r/tography as a methodological framework within an artistic context characterized by improvisation in movement, dance, and theatre. Through a small-scale exploratory study, theory, practice, and reflection are integrated to examine how knowledge and understanding are generated within and through improvised artistic processes. The exposition includes documentation of practical components, reflective writings, and theoretical perspectives, and illustrates how a/r/tography can operate as a dynamic and responsive research methodology within the field of performative arts.
This exposition is part of the peer-reviewed article:
Østern, T. P., Reppen, C., O’Connell, S., & Daneberg, M. (2025). Choreographer/researcher/teacher - developing a/r/tography as an approach to dance pedagogy at Stockholm University of the Arts in a professional learning community of teachers. Nordic Journal of Art & Research, 14(2).
What Is This Image Doing Here?
(2025)
author(s): Giselle Hinterholz
published in: Research Catalogue
This visual essay explores images generated through AI-based expansion of a simple photographic composition.
Without commands or prompts, the system infers human gestures, shadows, and presences — inventing what was never there.
The project questions authorship, visibility, and the power of symbolic residue when language no longer mediates creation.
It is not about representation — it is about refusal, inference, and the unsettling persistence of images beyond intention.
Assignment 6, Nico Classical Cello
(2025)
author(s): Ade Agusto Nicolas
published in: Research Catalogue
Assignment 6
Research Draft
Expert Talks
Keynote Presentations
The Alien Between us
(2025)
author(s): Laura A Dima
published in: Research Catalogue
This thesis, The Alien Between Us, explores the intersection of touch, technology, and human connection through interactive installations designed to foster intimacy, empathy, and ethical engagement. Rooted in a technofeminist framework, the research examines how mediated interactions can challenge power dynamics, reimagine consent, and empower marginalised groups. Drawing on psychoanalysis, affect theory, and feminist philosophy, the work investigates the triadic model of the Imaginary, Symbolic, and Real, as proposed by Jacques Lacan, to analyse human-machine relations and embodied communication.
The installation utilises haptic technologies to create symbolic connections between participants, obscuring identity and gender biases while emphasising bodily empathy and mutual care. Through wearable sculptures and mediated touch, participants engage in spontaneous, fluid interactions that reveal new possibilities for connection and self-awareness. The thesis also critically reflects on the ethical implications of technology, addressing its potential for empowerment as well as its dangers, such as reinforcing societal inequalities.
By integrating personal experiences, artistic practice, and scientific research, the thesis proposes a model of interaction that equalises power dynamics, protects against abuse, and promotes responsibility. It envisions technology not as a tool for exploitation but as a medium for fostering meaningful, inclusive relationships between humans and non-human agents. Ultimately, The Alien Between Us seeks to heal our relationship with technology and the body, offering a vision of a more equitable and empathetic future.
