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OPEN CALL VIS ISSUE 3 – THEME “HISTORY NOW”, DEADLINE 1 JUNE 2019: Read more

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  3. VIS Issue 3 VIS Issue 3 was published 1 March 2020. The issue features eight expositions within the theme “History Now”. Editor: Magnus Bärtås.
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  2. VIS Issue 2 VIS Issue 2 was published 23 September 2019. The Issue features five expositions within the theme ”Estrangement”. Editor: Magnus Bärtås.
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  1. VIS Issue 1 Risk – and associated topics such as vulnerability, unguardedness, precariousness, failure and uncanniness – are frequently raised as concerns within artistic research arenas. VIS # 1 – Risk in Artistic Research – jeopardy or validation? moves through more artistically-stylised accounts of ‘danger’ towards the more hopeful linkage of risk with discovery and the reconfiguring of the imagination.
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  0. VIS Issue 0 Issue 0 features eight expositions created by researchers within the arts. Every contributor has been carefully chosen and invited by the Editorial Committee, with the view of presenting best practice within the field of artistic research.
  The expositions have gone through a dialogue-based peer-review which is something that the Editorial Committee would like to continue to develop in the coming issues, a process intended to be significant for VIS.
  Every exposition is presented on the VIS webpage and has an editorial text that explains why the contributor was chosen. The actual exposition itself, on the other hand, will be found in the database of the Research Catalogue. The expositions have their own designs and explore widely different topics, depending upon how each researcher has chosen to work within the offered format.
  
  The Editorial Committee would like to thank all the contributors for their inspiring work which sets the tone admirably for what we hope will follow.
  
  Editorial Committee: Cecilia Roos, Serge von Arx, Anna Lindal, Mia Engberg, Trond Lossius, Magnus Bärtås och Darla Crispin

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  Melliferopolis – collaborating with uncontrollable, flying, stinging insects (2020) author(s): Christina Stadlbauer published in: VIS – Nordic Journal for Artistic Research
  This exposition explores encounters between humans and insects, in the framework of a long term project around honeybees in urban contexts called Melliferopolis. The interventions proposed by Melliferopolis create shared spaces of encounters for Bees and Humans. The choice to work with these insects in an urban and participatory setting creates situations that are surprising, unpredictable or challenge concepts of "safety". The exposition aims to develop an understanding for risks that arise when collaborating with non human animals, explores reactions to situations that are not entirely controllable and elaborates on notions of safety, hazard and unpredictability within practice based artistic research. As the territory to investigate these questions we look at interventions, performances and installations produced in public spaces in the city of Helsinki in the framework of Melliferopolis since 2012.
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  The Life of an Itinerant through a Pinhole (2020) author(s): Behzad Khosravi Noori published in: VIS – Nordic Journal for Artistic Research
  Between 1956 and 1968, the photographer Gholamreza Amirbegi captured a wealth of images from around his neighborhood in southwestern Tehran. At the time the city had just seen a major influx of working-class immigrants from the country’s smaller municipalities. By re-narrating these materials, which evoke not only particular, local memories, but also distinct subaltern histories, this overlooked archive tells stories of social change from below in Iran, as seen in Gholamreza’s subjects: global cinematic images, and unconscious colonial memory. By applying a comparative historical-material analysis, Khosravi Noori’s aim here is to develop a practice based, multi-sited archaeology of contemporary history. This approach begins with an excavation of the historical materials themselves, in order to both discover lost identities in these images, and to displace them from sedimented historical positions. In doing this, he asks the question: What happens to the past from the vantage point of the future?
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  jag vet hur folkhemmet luktar (2020) author(s): tina carlsson published in: VIS – Nordic Journal for Artistic Research
  jag vet hur folkhemmet luktar is an interdisciplinary project that attempts to show a more complex picture of the Swedish folkhem (“people’s home” – a term used to describe the vision of a better life for all by Swedish social democracy). The project is a response to the romanticised and idealised image of the folkhem which, in the current political climate, is mainly propagated by the far right with the populist and racist Swedish Democrats (SD) at the forefront. Using the artists own “folkhem-marinated” body as a point of departure, the exposition sketches the nodes from which the folkhem unfolded and how that created the preconditions for certain people to feel at home while others were excluded. In mapping the “folkhem nodes” photographic documentation, notes of childhood memories and a conversation with the father is used. The project investigates how the folkhem ideology was implemented through a linguistic as well as a spatial and material aesthetics. The textual memories are contextualized through a system of footnotes, that in the exposition are shown in pop-up windows and act as a commenting and associative parallel text to the memory narratives.
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  Mouvance. Approaches to re-enacting medieval music (2020) author(s): Jostein Gundersen, Ruben Sverre Gjertsen, Alwynne Pritchard published in: VIS – Nordic Journal for Artistic Research
  This exposition presents three approaches to re-enactment of medieval musical ideas, as explored through the artistic research project Wheels within Wheels. New approaches to interactions between performers and composers. The research project took place at the University of Bergen, Faculty of Art, Music and Design, Grieg Academy – Department of Music, from 2015 to 2018 under the auspices of the Norwegian Artistic Research Programme. The project led to three concerts and a sound installation. This exposition presents documentation of the results and gives an account of the research materials, tools and work methods, as well as discussing ethical and aesthetical dimensions of the working processes and the results.
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  DAYS IN BETWEEN (2020) author(s): Marianna Christofides published in: VIS – Nordic Journal for Artistic Research
  In accordance to generic tropes in the way the Balkans are represented, conflicts in the region are repeatedly ‘naturalized’ in their description, and attributed geological-seismological features. With the essay film Days In Between Marianna Christofides and her collaborator Bernd Bräunlich recursively visited the Balkans between 2011 and 2015, at first seeking out littoral borders where the course of the boundary remains indefinite. Rivers as invisible yet politically instrumental borders was one of the initial narrative strands. Having lost the first few years worth of audiovisual material, the data on the hard drive being unretrievable, they decided to return, only to find that the places no longer existed in the same way. Both topography and social fabric in ceaseless flux. Their approach extended accordingly, now focusing on loss, omissions, obfuscation and disappearance. The appropriation of nature’s workings in political discourse came to the fore. As did the filmmaker’s inhibiting yet empowering fringe location. Through a reflective lens of doubt agency was re-calibrated. The project grew wider in a recurring attempt at approaching, and began to expand, up until the present and in multiple iterations. Within this non-finite process the constant failure, and the beginning anew, became integral parts of the narrative.
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  Serious Personal Conviction – on measurements of conscience (2020) author(s): Björn Larsson, Carl Johan Erikson published in: VIS – Nordic Journal for Artistic Research
  In Serious Personal Conviction – on measurements of conscience, we encounter two groups of people interviewed on different occasions discussing consciousness and ethics in relation to the military system. One of the groups are men that during the 1970s and ‘80s chose to perform non-combatant service and now reflect on the choices they made as 18-year olds. The other group consists of young people of today trying to answer several questions regarding the right to take another person's life. The exposition is part of the artistic research project Refuse to Kill – stories of the conscientious objectors. Our methodology involves a montage of a large number of voices collectively collected through statistical surveys, open-call procedure via advertising in newspapers and the internet, interviews and searches in archives.
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