Co-created with Year 2 students from the department of Fashion & Textile of the Royal Academy of Art, The Hague (KABK) as part of the end of year assignment for the subject of Fashion & Textile History, this exposition combines academic and practice-based research as a contribution to existing discourse on Fashion and Textile design studies.
This exhibition showcases a spectrum of research from constructivistic perspectives. Contributions range from those which highlighted the politics of identity in the design canon of fashion and textiles; to attempts to resurrect lost crafts; to addressing the importance of designers being able to move beyond the role of being a maker operating on figuratively isolated islands, towards that which operates more as a hub of human connections in socially-engaged and socially-responsible ways.
In order to preserve the ephemeral nature of students' explorations in art & design education setting and in the spirit of Arturo Escobar's vision on the Pluriverse, students are given the freedom to propose their topic of choice and to deepen their knowledge as independently as possible. Guidance was given only when sought. In line with retaining the integrity of students' works, no interventions were made to student' contributions in this exhibition.
Author / Curator Shanna Soh ; Co-creators Ieva Drobenkaitė, Azul Espirito Santo, Lotte Roelandse, Neele Verhees, Emma Verrijt, Bessel Bijtelaar, Sophia Bogstedt, Elke Cloin, Julia Groven, Wassim el Hodayebi, Patryk Ochmanski, Timour Bonin, Peter Wertmann, Asira Zai, Ziah Siyu Zhang
My take; To have cultural representation in today's age is much more than the clothing and the costumes and traditions they are identifiers but the main thing is staying true to experiences in order to avoid this which is stereotyping and being able to see yourself in fact represented so to have presentation equate its needed is not wha